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Spies in Canaan

David Park
Contents (2)
  1. ACKNOWLEDGEMENTS
  2. A NOTE ON THE AUTHOR

SPIES IN CANAAN

BY THE SAME AUTHOR

Travelling in a Strange Land

Gods and Angels

The Rye Man

Stone Kingdoms

The Poets’ Wives

The Light of Amsterdam

Oranges From Spain

Swallowing the Sun

The Big Snow

The Healing

The Truth Commissioner

A Run in the Park

For Alberta, who is the very best of us

CONTENTS

  1. GHOST SOLDIERS
  2. CROSSING OVER
  3. ACKNOWLEDGEMENTS
  4. A NOTE ON THE AUTHOR

GHOST SOLDIERS

My cup is full and running over. A book full and running over with stories. So many stories you could never remember every one and all of them are true because God has told the storytellers what words to use. A giant killed by a single slingshot, walls that come tumbling down, men who walk through fire and are not consumed. Where there is no death except for the deserving because in the early-morning light the stone is rolled away and they tell me that is why I never have to die if I believe with all my heart. And so I sit on the Sunday-school pew with swinging legs, try to believe as I sing,

Twelve spies went to spy in Canaan

Ten were bad, two were good

Some saw the giants big and tall

Some saw the grapes in clusters fall

Some saw that God was in it all

Ten were bad, two were good.

and I do the falling-grapes-and-clusters motion with my hands, flex the muscles I don’t have to represent the giants and hold up the right number of fingers for the good and bad spies. Then when it’s time, I give my collection coins that are to be split equally between the orphans and the lepers. And the silver-haired Miss Reynolds brings out the flannelgraph, sticks pictures on it about a boy who lives in a barrel, but I don’t like this story so much as some of the others because I like to think the pictures for myself. So I see the little boy who brings five barley loaves and two small fishes and how they feed the five thousand and sometimes when I open my brown paper lunch bag in school I know how hard it must be to do a miracle. But there are miracles everywhere in these stories – a child born in old age, a withered hand healed, a storm told to be still. So many miracles I can hardly remember them all.

But there is one miracle that as a child frightens me and sometimes creeps inside my dreams, and only years later I see that it’s not a miracle after all. After the plagues, after the pestilence, an angel with black beating wings, knife in hand, swooping in at midnight across the silent desert sands to kill the firstborn, killing Pharaoh’s child and even that of the captive in the dungeon. Killing the unbelievers. I am a firstborn and in my dreams I hear their screams rent the night. In later life it flares back again in all its raw intensity when I watch the pictures of Isis ravaging across desert sands. But as a child I believe that if my father has painted blood on the doorposts and lintels we will be safe, all those who have followed this command will be unharmed, and so I lie perfectly still, imagine the door to our world painted with blood and, amidst the silence that enfolds the sleeping house, strain to hear the angel’s wings passing in the darkness.