He turned on the light and quickly dressed. He went over to the small card table beneath the window and sat down to think about what he would need to paint the metal statue, and wishing he could have come right out and told Officer Brazil what was going on and why he had the tattoo. But Weed knew Smoke would get him. Somehow he would.

The big question was whether Weed should use oils or acrylics. He rummaged through shelves of his precious art supplies, lovingly looking through the Bob Ross master paint set his mother had worked overtime to buy for him last Christmas. It had cost almost eighty dollars, and included eight tubes of oil paint, four brushes and a Getting Started videotape which Mrs. Grannis had let Weed watch at school since he didn’t have a VCR.

Weed opened the caps of sap green, cadmium yellow and alizarin crimson. He looked through his Demco Collegiate set and thought about how long it took oil paints to dry and how much cleaning up he’d have to do. He didn’t want to smell like turpentine.

He studied his tubes of Apple Barrel acrylic gloss enamel paints. He had forty-six colors to choose from, but to really get a good effect he needed to sand the statue first and apply two coats. That would take forever, and in truth, the last thing Weed wanted was to do something to a statue. If nothing else, God would do something to Weed. Messing with the statue of someone famous would be as bad as painting graffiti on a church or putting a mustache on Jesus.

Weed came up with a daring plan. Maybe he could use poster paints. He had bags full of them. They were inexpensive and didn’t make a mess. In fact, they could be washed off with soap and water, but there was no way Smoke could know that when Weed was painting away.

Weed had never used water-based tempera on metal, and tried a little green on the metal trash basket in his room. He was thrilled and a little surprised when the paint went on smooth and stuck. He gathered every jar he had and stuffed them inside his knapsack and a grocery bag. He dug through his box of perfectly clean paintbrushes and decided on two aquarelle for thin lines and two wash/mops for broad washes. He threw in one Academy size 14 round style just in case.

15

THE NEW YORK City Police Department was beyond Artis Roop’s usual scope of things. He had started with directory assistance and been bounced from Midtown North Precinct to the Rape Hotline to the Crack Hotline to the College Point Auto Pound and finally to a property clerk in Queens who gave him a number for the radio room. From there, Roop was able, by lying, to get Sergeant Mazzonelli to talk to him.

“Yeah, I know what COMSTAT is. Who you think started it?” Mazzonelli was saying.