The door was locked and bolted but it was dry and rotten and it didn't take much to force it open. There were papers scattered everywhere, and a half-hearted attempt had been made to destroy them. We stopped in the doorway and let Stiggins walk in alone. The room was about a hundred feet long and thirty feet wide. It was similar to the tiger facility next door but the amnio jars were larger. The glass nutrient pipes were still in evidence and I shivered. To me, the room was undeniably creepy, but to Stig it was his first home. He, along with many thousands of his fellow extinctees, had been grown here. I had sequenced Pickwick at home using nothing more complex than average kitchen utensils and cultivated her in a denucleated goose egg. Birds and reptiles were one thing; umbilical cultivation of mammals quite another. Stig trod carefully among the twisted pipes and broken glass to a far door and found the decanting room where the infant Neanderthals were taken out of their amnio jars and breathed for the first time. Beyond this was the nursery where the young had been brought up. We followed Stig through. He stood at the large window that overlooked the reservoir.

'When we dream, it is of this,' he said quietly. Then, obviously feeling that he was wasting time, he strode back to the incubating room and started rummaging in filing cabinets and desk drawers. I told him we'd meet him outside and rejoined Millon, who was trying to make sense of his floor plan.

After walking in silence through several more rooms with even more ranks of amnio jars, we arrived at a steel-gated secure area. The gate was open and we stepped through, entering what had once been the most secret area of the entire plant.

A dozen or so paces farther on the corridor led into a large hall, and we knew we had found what we had been looking for. Built within the large room was a full-scale copy of the Globe Theatre. The stage and groundling area were strewn with torn-out pages of Shakespeare's plays, heavily annotated in black ink. In an adjacent room we found a dormitory that might have contained two hundred beds. All the bedding was upended in a corner, the bedsteads broken and lying askew.

'How many do you think went through here?' asked Bowden in a whisper.

'Hundreds and hundreds,' replied Millon, holding up a battered copy of The Two Gentlemen of Verona with the name 'Shaxpreke, W., 769' written on the inside front cover. He shook his head sadly.

'What happened to them all?'

'Dead,' said a voice, 'dead as a ducat!'

33
Shgakespeafe

'ALL THE WORLD'S A STAGE', CLAIMS PLAYWRIGHT