Back Some of Them Will Carry Me
Chapters (40)
  1. Cover
  2. THE CORD
  3. FREEDOM OF WHITE BOYS IN THE SAND
  4. GEORGE WASHINGTON’S DENTURES
  5. BARBERSHOP
  6. A TRIANGLE
  7. THE FOOT OF THE TAN BUILDING
  8. THE BALCONY
  9. LEAVE A FINGERPRINT, GNOCCHI
  10. THREE MONTHS OF BANANA
  11. YYYY
  12. PENDERGRASS
  13. ADULT HEAD
  14. CABBAGE, THE HIGHEST ARCH
  15. THE MISCONDUCT OF SAND, AND THE SEVEN
  16. FORTY-SEVEN DAYS AGO
  17. REAL NUMBER
  18. SPALDING
  19. THERE’S D’ANGELO’S GAP
  20. A DRY DROWNING, SPAGHETTI ALLE VONGOLE
  21. WET SAND USED AS AN ABRASIVE ELEMENT
  22. PEACH
  23. CEREMONY
  24. FALSE LASHES
  25. THE NEW HUSBAND
  26. PASTA, FAGIOLI + COZZE
  27. 540i
  28. BENDING
  29. HAINT
  30. POOL
  31. HANGNAILS, AND OTHER DISEASES
  32. LA GENOVESE
  33. CATCALLS
  34. CONSTELLATIONS
  35. IN THE SAND, THE NONCONFORMITY OF WOMEN WHO ARE VIOLENTLY SHUSHED
  36. THE ETHICS OF PIRACY
  37. APPENDIX
  38. NOTES & ACKNOWLEDGMENTS
  39. ABOUT THE AUTHOR
  40. DOROTHY, A PUBLISHING PROJECT

In the beginning, she was attracted to this man. He was charming. He wore his hair in braids, all of them attached to his scalp, and she liked seeing the spaces between, the exposure of the scalp. His voice was loud. She enjoyed this too. In the beginning, they would stay up late, trying to push the limits of their time together—3:15 AM, 4:21 AM, 5:09 AM. Like teenagers. His mouth always moving toward her.

She would record the precise times of these early interactions, writing the hours and minutes into a blue gridded notebook. In the midst of this record keeping, this new man who would soon become her new husband would whisper the strangest things into Hominy’s waiting neck. Phrases that would force her to pause, to drop the pencil on her thighs, to laugh, mouth wide, bottom teeth exposed. Hominy would push his body away from her collarbone to begin her task anew: looking down at her left wrist, picking up the pencil from her exposed thighs, neatly writing down the hours, the minutes.

In the time since their civil ceremony, Hominy has stopped writing the details of their interactions. In the time since, her new husband has begun to frown. Not in a subtle way, but very deliberately. Frowning in the morning and in the afternoon. Often, he waits until Hominy looks up from her book or until she turns away from the sink where she’s been washing the wine glasses. As she moves toward him, catching his eye, there it appears, a frown.

His hair is no longer twisted together. His scalp is concealed and his hair is cut short, gray and uniform. In the time since, the new husband has begun to hide his hands. He wears plastic gloves to avoid germs and also to maintain their suppleness. He does not touch Hominy anymore without the cover of latex.

The new husband only removes the gloves to shower or to caress Hominy’s hair while she performs fellatio. Only then does he remove the right glove and the left, pressing his fingertips into her graying twists. His ungloved hand, the right hand, moves slowly through, flakes floating down onto the wooden floor and onto her brown shoulders. Hominy suffers from a dry scalp. Hominy’s new husband watches her tongue move, and on his most beautiful lips: a frown.

The home Hominy shares with the new husband is messy, objects and junk having accumulated. From her spot on the couch Hominy can see cleaning products, some clothing, a dark sock, and to the left: five stacked books, makeup brushes, lotion, a damp towel, the open window.