Back Some of Them Will Carry Me
Chapters (40)
  1. Cover
  2. THE CORD
  3. FREEDOM OF WHITE BOYS IN THE SAND
  4. GEORGE WASHINGTON’S DENTURES
  5. BARBERSHOP
  6. A TRIANGLE
  7. THE FOOT OF THE TAN BUILDING
  8. THE BALCONY
  9. LEAVE A FINGERPRINT, GNOCCHI
  10. THREE MONTHS OF BANANA
  11. YYYY
  12. PENDERGRASS
  13. ADULT HEAD
  14. CABBAGE, THE HIGHEST ARCH
  15. THE MISCONDUCT OF SAND, AND THE SEVEN
  16. FORTY-SEVEN DAYS AGO
  17. REAL NUMBER
  18. SPALDING
  19. THERE’S D’ANGELO’S GAP
  20. A DRY DROWNING, SPAGHETTI ALLE VONGOLE
  21. WET SAND USED AS AN ABRASIVE ELEMENT
  22. PEACH
  23. CEREMONY
  24. FALSE LASHES
  25. THE NEW HUSBAND
  26. PASTA, FAGIOLI + COZZE
  27. 540i
  28. BENDING
  29. HAINT
  30. POOL
  31. HANGNAILS, AND OTHER DISEASES
  32. LA GENOVESE
  33. CATCALLS
  34. CONSTELLATIONS
  35. IN THE SAND, THE NONCONFORMITY OF WOMEN WHO ARE VIOLENTLY SHUSHED
  36. THE ETHICS OF PIRACY
  37. APPENDIX
  38. NOTES & ACKNOWLEDGMENTS
  39. ABOUT THE AUTHOR
  40. DOROTHY, A PUBLISHING PROJECT

After the silence there’s company. One of the workers isn’t prepared—no tools, no helmet, taking innumerable breaks, smoking breaks, and eating things from the refrigerator without asking. Serendipità finds her on the balcony, sitting down. She doesn’t reprimand her, but they both know she shouldn’t be out there, and that she shouldn’t be sitting. They sit together. Serendipità doesn’t know the worker’s name. While the others bang on the walls and ceilings, they sit together. They feed each other anchovies from a can. The others stand under the red ladder with dust on their arms, with dust on their construction boots, their helmets.

After the silence there’s company. It’s a day for company. They come over in large groups. They drink tea, they discuss politics or the latest societal scandals, the weather. It’s festive and slow. The one hundred construction workers are there, working around the festivities (except for the one construction worker who isn’t working and isn’t prepared).

This is Serendipità’s least favorite day; she doesn’t like gatherings or small talk. She’s in a black dress, velvet. She wears earrings that touch her shoulders. A large part of her back is exposed, a large v of skin, and the muscles in her back move as she moves to pick things up. She sometimes moves to the pitch-black bedroom to rest. After the day of silence the talk of this day burdens—piercing laughter and lipstick on teeth.

The company leaves without Serendipità seeing them out.

(There is a day that cannot be commented upon. It exists and it consists of an extension cord, grape jelly, and hominy grits.)

On the day all the hair is removed Serendipità is pensive. She likes this day, not as much as the day with the sea, not as much as the day of silence. On this day she takes a bath. With lavender oil, peppermint oil, rose water, with differently sized candles nearby, the Bible nearby. After, she covers her body with more oil but also with lotion, creams, body butter.

She goes out. In her shortest dress, with her arms bare, her scalp bare, she wears no makeup. Her bald head feels cold when the wind comes by. She sits on a park bench. Very few people are outside, a handful. They also wear their skimpiest attire, their arms bare, they wear no makeup. It’s a day for exposure, but most don’t take the chance. Most do not dare. Despite the lack of pubic hair, and none inside the nose, none in and around the anus, most don’t dare. No eyebrows, no eyelashes, no false eyelashes. It’s a day meant to cleanse and expose.