Chapters (57)
- Books by Gregg Olsen
- Dedication
- Prologue
- One
- Two
- Three
- Four
- Five
- Six
- Seven
- Eight
- Nine
- Ten
- Eleven
- Twelve
- Thirteen
- Fourteen
- Fifteen
- Sixteen
- Seventeen
- Eighteen
- Nineteen
- Twenty
- Twenty-One
- Twenty-Two
- Twenty-Three
- Twenty-Four
- Twenty-Five
- Twenty-Six
- Twenty-Seven
- Twenty-Eight
- Twenty-Nine
- Thirty
- Thirty-One
- Thirty-Two
- Thirty-Three
- Thirty-Four
- Thirty-Five
- Thirty-Six
- Thirty-Seven
- Thirty-Eight
- Thirty-Nine
- Forty
- Forty-One
- Forty-Two
- Forty-Three
- Forty-Four
- Forty-Five
- Forty-Six
- Forty-Seven
- Forty-Eight
- Forty-Nine
- Fifty
- Hear More from Gregg
- Books by Gregg Olsen
- A Letter from Gregg
- Acknowledgements
She twists to give him the key, and I know it’s my chance and I make a rookie move.
I grab at the knife. Stupid. My hand is cut, and I yell out in pain. I turn myself over with such ferocity that it pushes her up and over to Joshua, who lets out a gurgled scream.
And then, a staccato, guttural, “I didn’t kill her.”
Ellie slides off of Joshua. Her eyes appear frozen and empty.
“He raped me,” she cries. “He kept me prisoner. I thought he was a good guy. He’s a monster.”
I know who the monster is.
She’s young. Pretty. Evil.
“Nice try,” I say as Sheriff and the other officers converge around us, the blood oozing from my hand and Joshua’s body turning the dust into a red mud.
Sheriff, panic in his eyes, pulls me away and immediately stems the bleeding with a Miller Highlife graphic T found in the barn.
And as he does, I look down at Joshua.
He’s alive.
“Someone stop his bleeding,” I say.
The first ambulance roars away, its sirens and flashing red and white lights amplifying the horror of the scene as it careens toward the hospital.
I sit on the back of the second ambulance. I’m at once embarrassed and proud. I know I did good investigative work. My failure was in letting my guard down. I watch Mindy lead the others collecting evidence, securing the scene. They walk with precision, avoiding any area that might reveal additional evidence.
Sheriff pours some hot coffee from a thermos into a paper cup. I hold the cup in my now bandaged hand. I don’t need a cardboard sleeve to protect me from the heat. That’s about the only thing good about my injury.
“He’s going to make it,” he says.
“Good,” I answer. “Dying would be the easy way out.”
He knows my comment is about justice, not a bitter statement—a comment born of my own background.
“How are you, Megan?”
“Okay. Just thinking.”
“What about?”
I down the coffee. It tastes good and I know I need a boost of caffeine. I refused pain meds because I want to be here in this moment. Right now. The girl on the portrait posed with her brother is on my mind.
“Sarah Wheaton,” I say. “We need to find her.”
“Or her body?” he asks.
I study the car holding Ellie from my ambulance perch.
“Right. There was a third party’s blood, a female, on the evidence we processed. Joshua said he didn’t kill her. Was that her, Sarah?”
“All good questions,” he says.
I get up. “Excuse me, Sheriff.”
I walk over to the cruiser transporting Ellie for processing at the Jefferson County Jail. I tap on the window and ask the officer if I can have a minute or two with her.
“Alone.”