Back Snow Creek Save as PDF
Chapters (57)
  1. Books by Gregg Olsen
  2. Dedication
  3. Prologue
  4. One
  5. Two
  6. Three
  7. Four
  8. Five
  9. Six
  10. Seven
  11. Eight
  12. Nine
  13. Ten
  14. Eleven
  15. Twelve
  16. Thirteen
  17. Fourteen
  18. Fifteen
  19. Sixteen
  20. Seventeen
  21. Eighteen
  22. Nineteen
  23. Twenty
  24. Twenty-One
  25. Twenty-Two
  26. Twenty-Three
  27. Twenty-Four
  28. Twenty-Five
  29. Twenty-Six
  30. Twenty-Seven
  31. Twenty-Eight
  32. Twenty-Nine
  33. Thirty
  34. Thirty-One
  35. Thirty-Two
  36. Thirty-Three
  37. Thirty-Four
  38. Thirty-Five
  39. Thirty-Six
  40. Thirty-Seven
  41. Thirty-Eight
  42. Thirty-Nine
  43. Forty
  44. Forty-One
  45. Forty-Two
  46. Forty-Three
  47. Forty-Four
  48. Forty-Five
  49. Forty-Six
  50. Forty-Seven
  51. Forty-Eight
  52. Forty-Nine
  53. Fifty
  54. Hear More from Gregg
  55. Books by Gregg Olsen
  56. A Letter from Gregg
  57. Acknowledgements

The cars are moving when I reach the ferry. Thank God. We roll on one by one, thump, thump, thump. I stay in my car, roll the window down and feel the breeze on my face as we rumble across the water. The time Hayden and I spent the night on a ferry passes through my mind. I know it’s the tapes that are pulling me backwards into the time that I tried to forget.

Thirty-Four

The Whitcombs’ neighborhood is an eclectic mix of vintage Craftsman and brick Tudor homes, all impeccably maintained with crisp-cut hedges and perennials that have been deadheaded all summer. Except for one house. Even if I didn’t have the address, I’d know that was the Burbank place. It’s dark and the lawn has missed a mowing or two. I park on the street midway between the Burbank and the Whitcomb houses. The time on my phone: 7:46. Not bad. Instead of heading to the Whitcombs’, I backtrack to the Burbanks’ old place. And by the way it is: old. Probably more than a hundred years. However, outside of the neglected landscaping, it would be anyone’s dream house. White and gray siding with black shutters and a poppy red door. As I approach, I notice what I think is a sprinkling of potpourri in the flower bed next to the red door.

Dried flower blossoms, stems, and some curlicue ribbons of various colors.

Flowers left to memorialize the family.

I touch a card with my toe, shifting away the floral debris.

With Sympathy

We didn’t know you well, but we grieve for the loss of each of you, Carrie, Hudson and Ellie.

The Neighborhood Block Watch

It’s not much of a makeshift memorial, but that might have more to do with how insular the Burbanks were and not a reflection of bad character. I shine my mini Maglite into the front window, swiping through the dim space up and down. It’s mostly empty. A few pieces of furniture, but they’ve been moved aside.

The oak floor has been refinished.

Ellie’s aunt is getting ready to sell the place.

As I make my way around the house, a woman calls over from the backyard abutting the Burbank property.

“I’ll call the police,” she’s practically spitting her words at me. “You have no right to be here.”

“I am the police,” I say. “Just following up on the Burbank case.”

She opens the gate and comes over to me. She’s in her fifties, with a slim build with brown hair cut in the ubiquitous Seattle bob. She’s wearing pale green garden gloves and carrying a small trowel.

“Let me see your ID,” she demands, her lips tight and her brown eyes looking me over as if I were a danger to the community.

I tell her who I am and show my detective’s shield.