“Dresden,” Marcone said, as if we’d passed each other outside the coffee shop. He sounded a little tired, but calm. All things considered, that was probably an indicator of exactly how much moxie the crime lord had. “Can you help the child?”

Dammit. That’s the thing I hate most about Marcone. Every once in a while he says or does something that makes it difficult to label him “scum, criminal” and file him neatly away in a drawer somewhere. I glared at him. He returned the glare with a faint, knowing smile. I muttered under my breath and turned to study the elaborate circle, while Sanya finished the last of the beasts.

“I’ve never seen anything like this,” Michael said quietly, staring.

I didn’t blame him. Even among professionals this circle was impressive. Lots of luminous, glowing lines and swirls involved, and that always looks fantastic, especially at night. The gold and silver and precious stones didn’t hurt things, either. The light and music show being put on by the chimes and crystals added a wonderful little eerie edge to it all, especially given the grotesque art that framed the interior magical symbology. “This is some upper-tier stuff,” I said quietly. “It will be another century, maybe two, before I’m good enough to come close to this level of work. It’s delicate. One single thing a fraction of an inch out of place and the whole thing goes kablooie. It’s powerful. When you’re putting this together, if any one of a couple of dozen of the power flows slips for even an instant, the whole thing goes out of balance and could go up with enough force to blow the top off of this whole hillside. It took a freaking genius to put this together, Michael.”

I hefted my staff.

“Fortunately,” I said, and took a two-handed swing at the nearest stand of slender, delicate crystal. It shattered with gratifying ease, and the encasing light around the greater circle began to waver and dissipate. “It only takes a monkey with a big stick to take it apart.”

And I waded into the circle, smashing things with my staff. It was therapeutic. God knows how many times the bad guys had destroyed the careful work of lifetimes when they’d robbed people of homes, of loved ones, of life itself. It felt sort of nice to bring a little cup of Shiva D into their lives for a change. I shattered the crystals that bent light into a cage to hold the Archive prisoner. I bent and mashed the tuning forks that focused sound into chains. I crushed the depictions of bondage and imprisonment meant to restrain the very idea of freedom, and from there I went on to break ivory rune sticks, to crush glyph-scribed gems, to pound into illegibility golden plates inscribed with sigils of imprisonment.

I’m not sure at which point I started screaming in outrage. Somewhere along the line, though, it hit me that these people had taken magic, the power of life, of creation, a force meant to create and protect, to learn and preserve, and they had bent and twisted it into a blasphemy, an obscenity. They had used it to imprison and torment, to torture and maim, all in an attempt to enslave and destroy. Worse, they had turned magic against the Archive, against the safeguard of knowledge itself—and still worse, against a child.