Back Silly Novels by Lady Novelists
Chapters (10)
  1. Cover
  2. About the Author
  3. Silly Novels by Lady Novelists
  4. Silly Novels by Lady Novelists
  5. Woman in France: Madame de Sablé
  6. Geraldine Jewsbury’s Constance Herbert
  7. Margaret Fuller and Mary Wollstonecraft
  8. Harriet Beecher Stowe’s Dred, Charles Reade’s It is Never Too Late to Mend and Frederika Bremer’s Hertha
  9. Translations and Translators
  10. Footnotes

It is curious to see La Rochefoucauld’s nervous anxiety about presenting himself before the public as an author; far from rushing into print, he stole into it, and felt his way by asking private opinions. Through Madame de Sablé he sent manuscript copies to various persons of taste and talent, both men and women, and many of the written opinions which she received in reply are still in existence. The women generally find the maxims distasteful, but the men write approvingly. These men, however, are for the most part ecclesiastics who decry human nature that they may exalt divine grace. The coincidence between Augustinianism or Calvinism, with its doctrine of human corruption, and the hard cynicism of the maxims, presents itself in quite a piquant form in some of the laudatory opinions of La Rochefoucauld. One writer says: – ‘On ne pourroit faire une instruction plus propre à un catéchumène pour convertir à Dieu son esprit et sa volonté … Quand il n’y auroit que cet escrit au monde et l’Evangile je voudrois être chrétien. L’un m’apprendroit à connoistre mes misères, et l’autre à implorer mon libérateur.’ Madame de Maintenon sends word to La Rochefoucauld, after the publication of his work, that the Book of Job and the Maximes are her only reading!

That Madame de Sablé herself had a tolerably just idea of La Rochefoucauld’s character, as well as of his maxims, may be gathered not only from the fact that her own maxims are as full of the confidence in human goodness which La Rochefoucauld wants, as they are empty of the style which he possesses, but also from a letter in which she replies to the criticisms of Madame de Schomberg. ‘The author,’ she says, ‘derived the maxim on indolence from his own disposition, for never was there so great an indolence as his, and I think that his heart, inert as it is, owes this defect as much to his idleness as his will. It has never permitted him to do the last action for others; and I think that, amidst all his great desires and great hopes, he is sometimes indolent even on his own behalf.’ Still she must have felt a hearty interest in the Maximes, as in some degree her foster-child, and she must also have had considerable affection for the author, who was lovable enough to those who observed the rule of Helvetius, and expected nothing from him. She not only assisted him, as we have seen, in getting criticisms, and carrying out the improvements suggested by them, but when the book was actually published, she prepared a notice of it for the only journal then existing – the Journal des savants. This notice was originally a brief statement of the nature of the work, and the opinions which had been formed for and against it, with a moderate eulogy, in conclusion, on its good sense, wit, and insight into human nature. But when she submitted it to La Rochefoucauld he objected to the paragraph which stated the adverse opinion, and requested her to alter it. She, however, was either unable or unwilling to modify her notice, and returned it with the following note:–