That Madame de Sablé herself had a tolerably just idea of La Rochefoucauld’s character, as well as of his maxims, may be gathered not only from the fact that her own maxims are as full of the confidence in human goodness which La Rochefoucauld wants, as they are empty of the style which he possesses, but also from a letter in which she replies to the criticisms of Madame de Schomberg. ‘The author,’ she says, ‘derived the maxim on indolence from his own disposition, for never was there so great an indolence as his, and I think that his heart, inert as it is, owes this defect as much to his idleness as his will. It has never permitted him to do the last action for others; and I think that, amidst all his great desires and great hopes, he is sometimes indolent even on his own behalf.’ Still she must have felt a hearty interest in the Maximes, as in some degree her foster-child, and she must also have had considerable affection for the author, who was lovable enough to those who observed the rule of Helvetius, and expected nothing from him. She not only assisted him, as we have seen, in getting criticisms, and carrying out the improvements suggested by them, but when the book was actually published, she prepared a notice of it for the only journal then existing – the Journal des savants. This notice was originally a brief statement of the nature of the work, and the opinions which had been formed for and against it, with a moderate eulogy, in conclusion, on its good sense, wit, and insight into human nature. But when she submitted it to La Rochefoucauld he objected to the paragraph which stated the adverse opinion, and requested her to alter it. She, however, was either unable or unwilling to modify her notice, and returned it with the following note:–

Je vous envoie ce que j’ai pu tirer de ma teste pour mettre dans le Journal des savants. J’y ai mis cet endroit qui vous est le plus sensible, afin que cela vous fasse surmonter la mauvaise honte qui vous fit mettre la préface sans y rien retrancher, et je n’ai pas craint de le mettre, parce que je suis assurée que vous ne le ferez pas imprimer, quand même le reste vous plairoit. Je vous assure aussi que je vous serai plus obligée, si vous en usez comme d’une chose qui servit à vous pour le corriger ou pour le jeter au feu. Nous autres grands auteurs, nous sommes trop riches pour craindre de rien perdre de nos productions. Mandez-moi ce qu’il vous semble de ce dictum.