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Chapters (10)
  1. Cover
  2. About the Author
  3. Silly Novels by Lady Novelists
  4. Silly Novels by Lady Novelists
  5. Woman in France: Madame de Sablé
  6. Geraldine Jewsbury’s Constance Herbert
  7. Margaret Fuller and Mary Wollstonecraft
  8. Harriet Beecher Stowe’s Dred, Charles Reade’s It is Never Too Late to Mend and Frederika Bremer’s Hertha
  9. Translations and Translators
  10. Footnotes

M. Cousin is especially enamoured of the women of the seventeenth century, and relieves himself from his labours in philosophy by making researches into the original documents which throw light upon their lives. Last year he gave us some results of these researches, in a volume on the youth of the Duchesse de Longueville, and he has just followed it up with a second volume, in which he further illustrates her career by tracing it in connexion with that of her friend, Madame de Sablé. The materials to which he has had recourse for this purpose, are chiefly two celebrated collections of manuscripts: that of Conrart, the first secretary to the French Academy, one of those universally curious people who seem made for the annoyance of contemporaries and the benefit of posterity; and that of Valant, who was at once the physician, the secretary, and general steward of Madame de Sablé, and who, with or without her permission, possessed himself of the letters addressed to her by her numerous correspondents during the latter part of her life, and of various papers having some personal or literary interest attached to them. From these stores M. Cousin has selected many documents previously unedited; and though he often leaves us something to desire in the arrangement of his materials, this volume of his on Madame de Sablé is very acceptable to us, for she interests us quite enough to carry us through more than three hundred pages of rather scattered narrative, and through an appendix of correspondence in small type. M. Cousin justly appreciates her character as ‘un heureux mélange de raison, d’esprit, d’agrément, et de bonté’; and perhaps there are few better specimens of the woman who is extreme in nothing, but sympathetic in all things; who affects us by no special quality, but by her entire being; whose nature has no tons criards, but is like those textures which, from their harmonious blending of all colours, give repose to the eye, and do not weary us though we see them every day. Madame de Sablé is also a striking example of the one order of influence which woman has exercised over literature in France; and on this ground, as well as intrinsically, she is worth studying. If the reader agrees with us he will perhaps be inclined, as we are, to dwell a little on the chief points in her life and character.