Chapters (10)
- Cover
- About the Author
- Silly Novels by Lady Novelists
- Silly Novels by Lady Novelists
- Woman in France: Madame de Sablé
- Geraldine Jewsbury’s Constance Herbert
- Margaret Fuller and Mary Wollstonecraft
- Harriet Beecher Stowe’s Dred, Charles Reade’s It is Never Too Late to Mend and Frederika Bremer’s Hertha
- Translations and Translators
- Footnotes
In proportion as the literature of a country is enriched and culture becomes more generally diffused, personal influence is less effective in the formation of taste and in the furtherance of social advancement. It is no longer the coterie which acts on literature, but literature which acts on the coterie; the circle represented by the word public, is ever widening, and ambition, poising itself in order to hit a more distant mark, neglects the successes of the salon. What was once lavished prodigally in conversation, is reserved for the volume, or the ‘article’; and the effort is not to betray originality rather than to communicate it. As the old coach-roads have sunk into disuse through the creation of railways, so journalism tends more and more to divert information from the channel of conversation into the channel of the Press: no one is satisfied with a more circumscribed audience than that very indeterminate abstraction ‘the public’, and men find a vent for their opinions not in talk, but in ‘copy’. We read the Athenæum askance at the tea-table, and take notes from the Philosophical Journal at a soirée; we invite our friends that we may thrust a book into their hands, and presuppose an exclusive desire in the ‘ladies’ to discuss their own matters, ‘that we may crackle the Times’ at our ease. In fact, the evident tendency of things to contract personal communication within the narrowest limits makes us tremble lest some further development of the electric telegraph should reduce us to a society of mutes, or to a sort of insect, communicating by ingenious antennæ of our own invention. Things were far from having reached this pass in the last century; but even then, literature and society had outgrown the nursing of coteries, and although many salons of that period were worthy successors of the Hôtel de Rambouillet, they were simply a recreation, not an influence. Enviable evenings, no doubt, were passed in them; and if we could be carried back to any of them at will, we should hardly know whether to choose the Wednesday dinner at Madame Geoffrin’s, with d’Alembert, Mademoiselle de l’Espinasse, Grimm, and the rest, or the graver society which, thirty years later, gathered round Condorcet and his lovely young wife. The salon retained its attractions, but its power was gone: the stream of life had become too broad and deep for such small rills to affect it.