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Contents ( 55)
  1. Shades of Milk and Honey
  2. Table of Contents
  3. One
  4. Jasmine and Honeysuckle
  5. Two
  6. Doves and Roses
  7. Three
  8. Nymphs at the Ball
  9. Four
  10. Neighbours and Salts
  11. Five
  12. Art and Glamour
  13. Six
  14. Strawberries and Bonnets
  15. Seven
  16. Nymph on the Hill
  17. Eight
  18. Flowers and Novels
  19. Nine
  20. A Tonic in the Maze
  21. Ten
  22. The Broken Bridge
  23. Eleven
  24. A Dinner Invitation
  25. Twelve
  26. Beast and Beauty
  27. Thirteen
  28. The Beast Upset
  29. Fourteen
  30. Curiosity Unrequited
  31. Fifteen
  32. A Book and a Gift
  33. Sixteen
  34. Change and Fury
  35. Seventeen
  36. Leaves and Confession
  37. Eighteen
  38. Order and Disarray
  39. Nineteen
  40. Trust and Distractions
  41. Twenty
  42. Packing and Discovery
  43. Twenty-one
  44. Wolves and Muses
  45. Twenty-two
  46. Leaving the Maze
  47. Twenty-three
  48. The Box on the Mantel
  49. Twenty-four
  50. Duels and Deals
  51. Twenty-five
  52. Snake in the Grass
  53. Twenty-six
  54. Solicitations
  55. Acknowledgments

Jane struggled to master herself. “Truly, I am fine. I only wanted a respite from the crowded drawing room.” She turned away to study the trees in an effort to regain her composure. “I find your work so very, very restful, Mr. Vincent.”

“Good.” He glanced across the room and said, “Did you see her?”

Jane stammered before realizing that he meant only the dryad, which was close at hand, and not Beth. “Oh yes, I did. It is a fine subtlety. You should be proud of your work, though I am not sure that Lady FitzCameron will appreciate having a tribute to my sister in her dining hall.”

“What? What tribute is this?” Beth turned on her heels, as if nothing troubled her save for the mystery which Mr. Vincent presented.

He grimaced, which made the gauntness of his face become more severe. “Look carefully. I think you will find my bit of play. As for Lady FitzCameron, I doubt she will notice—it is for more perceptive eyes. In any event, she was impressed with the tableau vivant we performed, so I may always pretend that it was in homage to her taste in liking it.”

“It is not?”

Mr. Vincent turned to regard the dryad, and his face softened more than Jane thought possible. “It is not.”

A less perceptive individual might have missed the softening. Another might have seen it and mistaken it for regard for Jane’s talents, but Jane believed that it was to the art itself that his heart belonged. The art that was embodied in her sister.

“Oh! I see her now.” Beth ran to the dryad and exclaimed. “Do look, Edmund. It is so clever of Mr. Vincent to include her. Such a wonderful reminder of our strawberry-picking party. So delightful.”

As the others admired the dryad, Jane longed to escape their company; to flee to her home, where she might have the luxury of reflection and calm. But that was not a choice she was granted, so she returned to the drawing room, walking behind the others with Beth as a guard against idle words. The Dunkirks at least valued her for something, however small that may be. Lady FitzCameron looked up as they entered and beckoned, at which point Mr. Vincent excused himself, leaving Jane to Mr. Dunkirk’s attentions. Though this was something to be desired above all, Jane could not quite give herself to the conversation.

“I wonder if you might—” Mr. Dunkirk’s query went unfinished as a shout broke the idle chatter in the room.

Captain Livingston flung down his hand of cards, his face flushed quite red. At his side, Mr. Buffington leaned back in his chair with the beneficent smile of a weasel.

“I did warn you that I wasn’t bluffing.”

Scowling, Captain Livingston drew forth the bundle of bills so recently given to him by Miss Dunkirk.

At that moment, Mr. Vincent arrived by her side. His face was grave and his lips tight with some repressed emotion. “Lady FitzCameron requests your attendance.”