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Contents ( 55)
  1. Shades of Milk and Honey
  2. Table of Contents
  3. One
  4. Jasmine and Honeysuckle
  5. Two
  6. Doves and Roses
  7. Three
  8. Nymphs at the Ball
  9. Four
  10. Neighbours and Salts
  11. Five
  12. Art and Glamour
  13. Six
  14. Strawberries and Bonnets
  15. Seven
  16. Nymph on the Hill
  17. Eight
  18. Flowers and Novels
  19. Nine
  20. A Tonic in the Maze
  21. Ten
  22. The Broken Bridge
  23. Eleven
  24. A Dinner Invitation
  25. Twelve
  26. Beast and Beauty
  27. Thirteen
  28. The Beast Upset
  29. Fourteen
  30. Curiosity Unrequited
  31. Fifteen
  32. A Book and a Gift
  33. Sixteen
  34. Change and Fury
  35. Seventeen
  36. Leaves and Confession
  37. Eighteen
  38. Order and Disarray
  39. Nineteen
  40. Trust and Distractions
  41. Twenty
  42. Packing and Discovery
  43. Twenty-one
  44. Wolves and Muses
  45. Twenty-two
  46. Leaving the Maze
  47. Twenty-three
  48. The Box on the Mantel
  49. Twenty-four
  50. Duels and Deals
  51. Twenty-five
  52. Snake in the Grass
  53. Twenty-six
  54. Solicitations
  55. Acknowledgments

“No, Charles, I did not.” She peered up the hill, and her brow furrowed. “I do not see them on the hill. They must be somewhere else.”

“Clearly they are somewhere else, if they are not here. The question is where.”

Mr. Dunkirk said, “Perhaps they are on the other side of the hill?”

“Ah. An excellent thought. I will check on just that. Meanwhile, I urge you all to avail yourself of the strawberries.” Mr. Ellsworth started up the hill while the rest of the company fell to the strawberries with a will.

The conversations were simple and inconsequential, as all were distracted by the sweet succulent berries. It seemed that Lady FitzCameron had spoken with her nephew about his conduct at the ball, for Captain Livingston paid all the ladies equal attention, even going so far as to compliment Mrs. Ellsworth’s parasol. Without the monopoly on Captain Livingston’s attentions that she had no doubt expected after the ball, Melody turned to Mr. Dunkirk, and soon had him carrying her basket for her as she plucked strawberries from the mounds.

Mrs. Marchand was quite taken with the strawberries. She kept exclaiming over each one she found as if it were the largest she had ever seen—“Never have I seen the like!”—then devoured the berry before anyone else could ascertain the veracity of her claims. Her husband joked, “I declare, I wonder if you are even touching them, or if you are eating them straight from the plant.”

Mrs. Marchand laughed at that, and colored prettily, but her husband’s comment did not slow her enthusiasm for the strawberries.

In short order, Mr. Ellsworth returned, face as red as a strawberry from his climb up the hill and back down. He was laughing, his eyes wrinkled small with merriment. “You would not believe what clever Mr. Vincent has done.”

Jane looked up the hill, but Mr. Vincent was not there. “Has he finished his painting so soon?”

Mr. Ellsworth chuckled and shook his head. “He is still painting, I daresay. Shall I tell you, or shall you guess?”

Captain Livingston said, “He has received an appointment to the King.”

“No. Nor the Prince.” Mr. Ellsworth placed his hands on his waistcoat. “He made the servants and himself disappear, because they marred the view.”

“What?” “Did he?” “How clever!” The crowd quite forgot the berries. Each stared up the hill, declaring that they could see this sign or that of the servants’ location. Jane studied the hill, stunned both that he could have created such a complex and large fold of glamour in so short a time and that the folds themselves could be invisible, even with her vision attuned to the ether. Of course, many great halls used glamour folds to mask musicians at a ball, but they required constant attention, and were enormously detailed to create an exact duplicate of the room as it would have appeared were it empty. Mr. Ellsworth shook his head, laughing. “Not a one of you is looking in the right place. Come, I will shew you.”