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Chapters (14)
  1. Salt Crystals
  2. I. THE DAMNED CIRCUMSTANCE
  3. II. NOTEBOOK OF A RETURN
  4. III. DIVISIONS
  5. IV. LICKLE GOUGH
  6. V. BOWIE GULLY
  7. VI. THE PAPERS OF TIME
  8. VII. NORTH END
  9. VIII. SALT CRYSTALS
  10. IX. IGUANAS ON THE ROOF
  11. X. THE SOUTHWESTERN CARIBBEAN
  12. XI. CREOLES AND RAIN
  13. XII. OTTO
  14. TRANSLATOR’S NOTE

Recently, as I prepared to write this brief note, I came across ‘A Manifesto for Ultratranslation’ for the first time: a thrilling text written and published by the Antena collective (now known as Antena Aire) in 2014. ‘Ultratranslation’, they write, ‘labors to translate the untranslatable, and also to preserve it: not to reduce the irreducible.’ And later: ‘We live and work in the clutter of untranslatability. The discomfortable snag where we no longer know what to say, how to say, or even quite what saying is – but we continue in our saying… Untranslate this space. Retranslate from this space.’ I see Cristina Bendek’s book as an exploration of what it might mean to not reduce the irreducible, and to continue in our saying: to think, in embodied and intimate ways, about empire and language and the innumerable migrations within families, countries and cultures. English, too, is an empire to be unsettled. I’m grateful to Salt Crystals, and to Cristina, for this continual conversation about translating, untranslating, retranslating; after all, to quote Antena Aire again, ‘We translate into our language to rewrite our language.’

Robin Myers

Mexico City, February 2022

Director & Editor: Carolina Orloff

Director: Samuel McDowell

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