Back Sacred and Profane
Chapters (35)
  1. Cover
  2. Dedication
  3. Acknowledgments
  4. 1
  5. 2
  6. 3
  7. 4
  8. 5
  9. 6
  10. 7
  11. 8
  12. 9
  13. 10
  14. 11
  15. 12
  16. 13
  17. 14
  18. 15
  19. 16
  20. 17
  21. 18
  22. 19
  23. 20
  24. 21
  25. 22
  26. 23
  27. 24
  28. 25
  29. 26
  30. 27
  31. About the Author
  32. PRAISE FOR FAYE KELLERMANand herPETER DECKER ANDRINA LAZARUS NOVELS
  33. Other Books byFaye Kellerman
  34. Copyright
  35. About the Publisher

Decker stuck his head in the hole and felt under the edge. “There are hooks screwed in here. Bet he had a rope ladder and it latched onto the hardware. Get the rope out of the trunk of the car.”

“Now you’re Tarzan?”

“Got any better ideas?”

“I’ll fetch the rope,” she said, laughing.

She returned and handed him a hemp cord. Tying it securely onto the hooks, he slid down, hands burning against the coarse fiber.

The drop was about fifteen feet and the hole was cool and dank. He turned on the high beam and looked around.

The room was a six-by-eight cell of almost-empty metal shelving. Scattered film canisters and video cassettes had been dumped onto the ground. Several yards of loose celluloid streamed across the floor.

Bingo. Cecil’s warehouse.

Two empty nylon bags fell from above.

“I’m coming down,” Marge said. A moment later she dropped onto the floor.

“The good news is this was his gold mine,” Decker said. “The bad news is he’s already stripped it of any real evidence.”

“Here’s a filing cabinet,” Marge said, opening the top drawer.

“Empty?”

“Scraps,” Marge said, scanning them. “A few memos, his water and gas bills, a magazine subscription offer.” She began to stuff an empty tote. “I’ll take ’em, but I don’t suspect we’ll find much.”

“Get a load of this, Marge,” Decker said, pointing to a typewriter-sized machine in the corner. “A humidifier. The fucker had the place humidified to protect his films from burning and cracking when the weather got hot and dry. Like it was some archive.”

“The shelves are categorized, Pete. Look at the labels. This one is BD 1000-1789. This one’s SM 1000-1124. SN 1000-1006, GaySM 1000-1122, BE 1000-1148, Kiddie 1000-1219—”

“They’re inventory numbers of the films.”

“God, this is sickening, Pete. Amputee SM 1000-1021. Here’s another abbreviation. RET? And SCHIZO?”

“Porno with a nutcase?” Decker tried. “The night of the shootout, Pode’s confiscated bag contained ten films—six sado-masochisms, and four bondage-and-disciplines. We know he dealt in at least one snuff—”

“That’s what SN probably stands for—snuff,” Marge said.

“Yeah,” Decker nodded. “The numbers only go up to six, indicating he didn’t have too many of ’em floating around, and that would make sense…Goddam, if only we could find his books.”

“Maybe Dustin has ’em.”

“How the hell are we going to get to Dustin?” Decker said. “If the guy’s in on it, he’s going to be careful to the point of paranoia.”

“Then forget about Dustin. Concentrate on the other one. The broker’s son.”

Decker nodded. “Cameron Smithson.”

“After all,” Marge went on, “the father said they do their ventures together. Besides, he impressed you as a weirdo.”

“I’ve got an appointment with the two of them next week,” Decker said. “Jack Cohen is going to learn about film limited partnerships.”