“How many?”

“Projectionist and bodyguard. They have Uzis.”

“Get us inside, Cecil.”

“They’ll shoot me,” he sobbed. “They shoot first and ask questions later.”

“Get the door open and we’ll protect you,” said Lessing.

Looking like a condemned man, Pode gave a signaled knock.

They heard a series of knocks and clicks, and then a voice from inside said, “Who is it?”

“Pode. I got another one who was insistent.”

“Show started.”

“He already paid me big for the viewing,” Pode said shakily. “For Chrissakes, just open the door.”

Locks began to snap open. Everyone stepped inside. The minute the door showed light, Lessing kicked it open and yelled, “Police! Freeze!” Instantaneously, he pitched backward as if blown away by torrential wind, his stomach gushing a scarlet river.

Pandemonium broke out. Bursts of machine guns. Blasts of shotguns. The pops of the .38s. Screams, blood splattering all over the walls and floors. The exchange of gunfire lasted less than a minute, but its aftermath left a slaughterhouse. Pode was a crumpled pile at the foot of a free-standing movie screen. Another man was sprawled over a puddle of blood at the base of the projector, a hole ripped through his chest, his left arm blown off and propelled five feet to his left. Still another person had exploded into chunks on the south wall of the room. One man was still alive, hunched into a corner, sobbing.

Miraculously, the movie was left intact and kept on rolling.

Decker saw Lindsey’s face and was stunned into immobility. She was still alive, but barely, having been sliced in the chest, stomach, and genitals. A red-robed man in white face accented with black lines for whiskers, eyebrows, and mouth was drinking her blood. The Countess, also in a red robe, was smearing it over her face. The painted man took a .38 and shot the girl in the breastbone and forehead. She jerked at each bullet, released her bowels and died. Decker saw the Countess pour clear liquid over her from a metal canister and light a match. Lindsey began to melt, the skin crackling and charring against the sound of a deep, resonant chant.

“Jesus Christ!” someone groaned.

“Someone turn that shit off!” the female cop barked. “Jesus!”

“Holy Mother of God,” another cop whispered, shaking his head in disbelief.

The film stopped. Decker threw up.

16

He finished the paperwork at 5 A.M. and went home to catch up on sleep. At first there were no dreams, just blackness. But they came later—the images, smells, sounds. He tossed, ripped the sheets, soaked them in sweat. By ten he knew sleep was impossible. Resolution was the best revenge.