Chapters (62)
- Title Page
- Copyright Notice
- Dedication
- Map
- Newspaper Extract
- Survive
- One Hundred Miles
- So Many and So Fast
- Start to Die
- Fish in a Barrel
- Because of the Blood
- Can’t be Real
- Waiting to Die
- Panic
- None of Them
- Trapped
- Video Game
- Like Her Life Depends on It
- Before He Sees Us
- It’s Your Lucky Day
- Just a Shell
- The World’s Best Reality Show
- How Long
- No Matter What Happens
- The One Who Decides
- What You Need to Do
- One Last Time
- The Biggest Secret Ever
- What They Want Me to Believe
- Who He Really Is
- People Like You
- I Believe She Is Saying
- Wake Up
- We Told You What Would Happen
- Slowly, Slowly
- Everything Is Under Control
- Come with Me
- The Last Thing They’d Expect
- They Can’t Shoot All of Us
- Go Down Swinging
- Not Running Away
- If You’re Going to Lie
- Every Rattle and Click
- Infinitesimal
- No Safe Place
- I Didn’t Know
- Straight to the Source
- Nothing but the Breathing
- Anything Other Than Killing
- You Honestly Believed
- Three Inches Away
- Not Anymore
- Refusing to Crack
- On the Trigger
- Over
- All Too Much
- Together, We Can Make a Difference
- A Note From the Author
- Other Mysteries by April Henry
- Honors for April Henry
- About the Author
- Newsletter Sign-up
The barista drops her paper cup—just lets it splash on the floor—and flees into the back of the coffee shop. Where’s Miranda supposed to go? What’s she supposed to do?
Is she going to get shot? Is she going to die?
She tries to climb over the high counter. But the front is a rounded glass display case for pastries and cookies. Her feet can’t find purchase. She slides back down to the floor.
POP, POP, POP.
A bullet shatters the glass of the display case next to her chest.
Before the next one finds her, Miranda darts away.
She and the other people in the food court are fish in a barrel, the way her dad likes to say, to note how easy something is. Like shooting fish in a barrel.
Miranda feels for those poor fish now, swimming in frantic circles with no way to escape.
Because of the Blood
BECAUSE OF THE BLOOD
3:54 P.M.
Grace Busby tries to lift her mom, but it’s like trying to pick up a rag doll that weighs a hundred and thirty pounds. Grabbing her mom’s wrists instead, Grace starts to drag her away. She curls her shoulders and tucks her head, hoping to provide less of a target.
She won’t think about how pulling her mom over the linoleum is easier than it should be. Because of the blood.
Lately, Grace has seen a lot of blood. Most of it her own, filling up test tube after test tube. The doctors made a hole in her chest, about where her mom’s is, only Grace’s has a plastic cap over it.
A guy in a green apron runs up to her. His name tag reads JAVIER. “You have to leave her.” He pulls at one of Grace’s arms. “She’s dead.”
“But she’s my mom.” The woman Grace is dragging doesn’t look like her mom, though. Not with her hair dyed dark, and her skin so pale. Her eyes and her mouth are both half-open. Neither of them moving.
“You can’t help her.”
“I can’t leave her.” Past Javier’s shoulder, she sees a middle-aged guy in a business suit fall to his knees. He’s clutching his neck with both hands, but red pulses out between his fingers.
“Your mother would not want you to die.” He grabs Grace’s wrist. “Now come!”
She stumbles after him.
Can’t be Real
CAN’T BE REAL
3:55 P.M.
As she runs from the coffee shop, Miranda tilts her head back. The shots are coming from the second floor of the mall, which is open in the middle. There are no stores up there, just office space, the two floors linked by escalators. Three men in black ski masks are leaning over the black railing and shooting long black guns, like AKs or something.