Chapters (42)
- Cover Page
- Title Page
- Foreword by Robert D. Richardson Jr.
- NATURE (1836)
- Introduction
- CHAPTER I
- CHAPTER II
- CHAPTER III
- CHAPTER IV
- CHAPTER V
- CHAPTER VI
- CHAPTER VII
- CHAPTER VIII
- EARLY ESSAYS AND LECTURES
- Pray Without Ceasing (1826)
- Ethics (1837)
- The American Scholar (1837)
- Cherokee Letter (1838)
- The Divinity School Address (1838)
- From ESSAYS, FIRST SERIES (1841)
- History
- Self-Reliance
- The Over-Soul
- Circles
- From ESSAYS, SECOND SERIES (1844)
- The Poet
- Experience
- Politics
- From REPRESENTATIVE MEN (1850)
- Uses of Great Men
- Montaigne; or, the Skeptic
- LATER ESSAYS AND LECTURES
- Emancipation in the British West Indies (1844)
- Woman (1855)
- Thoreau (1862)
- POEMS
- Concord Hymn
- Additional Reading
- Note on the Text
- Ask Your Bookseller for these Bantam Classics
- About the Author
- Copyright
But I hold them?’
When I heard the Earth-song,
I was no longer brave;
My avarice cooled
Like lust in the chill of the grave.
THE SNOW-STORM
Announced by all the trumpets of the sky,
Arrives the snow, and, driving o’er the fields,
Seems nowhere to alight: the whited air
Hides hills and woods, the river, and the heaven,
And veils the farm-house at the garden’s end.
The sled and traveller stopped, the courier’s feet
Delayed, all friends shut out, the housemates sit
Around the radiant fireplace, enclosed
In a tumultuous privacy of storm.
Come see the north wind’s masonry.
Out of an unseen quarry evermore
Furnished with tile, the fierce artificer
Curves his white bastions with projected roof
Round every windward stake, or tree, or door.
Speeding, the myriad-handed, his wild work
So fanciful, so savage, nought cares he
For number or proportion. Mockingly,
On coop or kennel he hangs Parian wreaths;
A swan-like form invests the hidden thorn;
Fills up the farmer’s lane from wall to wall,
Maugre the farmer’s sighs; and at the gate
A tapering turret overtops the work.
And when his hours are numbered, and the world
Is all his own, retiring, as he were not,
Leaves, when the sun appears, astonished Art.
To mimic in slow structures, stone by stone,
Built in an age, the mad wind’s night-work,
The frolic architecture of the snow.
THE SPHINX
The Sphinx is drowsy,
Her wings are furled:
Her ear is heavy,
She broods on the world.
“Who’ll tell me my secret,
The ages have kept?—
I awaited the seer
While they slumbered and slept:—
“The fate of the man-child,
The meaning of man;
Known fruit of the unknown;
Daedalian plan;
Out of sleeping a waking,
Out of waking a sleep;
Life death overtaking;
Deep underneath deep?
“Erect as a sunbeam,
Upspringeth the palm;
The elephant browses,
Undaunted and calm;
In beautiful motion
The thrush plies his wings;
Kind leaves of his covert,
Your silence he sings.
“The waves, unashamed,
In difference sweet,
Play glad with the breezes,
Old playfellows meet;
The journeying atoms,
Primordial wholes,
Firmly draw, firmly drive,
By their animate poles.
“Sea, earth, air, sound, silence
Plant, quadruped, bird,
By one music enchanted,
One deity stirred,—
Each the other adorning,
Accompany still;
Night veileth the morning,
The vapor the hill.
“The babe by its mother
Lies bathed in joy;
Glide its hours uncounted,—
The sun is its toy;
Shines the peace of all being,
Without cloud, in its eyes;
And the sum of the world
In soft miniature lies.
“But man crouches and blushes,
Absconds and conceals;
He creepeth and peepeth,
He palters and steals,
Infirm, melancholy,
Jealous glancing around,
An oaf, an accomplice,
He poisons the ground.
“Out spoke the great mother,
Beholding his fear;—
At the sound of her accents
Cold shuddered the sphere:—
‘Who has drugged my boy’s cup?
Who has mixed my boy’s bread?
Who, with sadness and madness,