Back Ralph Waldo Emerson
Chapters (42)
  1. Cover Page
  2. Title Page
  3. Foreword by Robert D. Richardson Jr.
  4. NATURE (1836)
  5. Introduction
  6. CHAPTER I
  7. CHAPTER II
  8. CHAPTER III
  9. CHAPTER IV
  10. CHAPTER V
  11. CHAPTER VI
  12. CHAPTER VII
  13. CHAPTER VIII
  14. EARLY ESSAYS AND LECTURES
  15. Pray Without Ceasing (1826)
  16. Ethics (1837)
  17. The American Scholar (1837)
  18. Cherokee Letter (1838)
  19. The Divinity School Address (1838)
  20. From ESSAYS, FIRST SERIES (1841)
  21. History
  22. Self-Reliance
  23. The Over-Soul
  24. Circles
  25. From ESSAYS, SECOND SERIES (1844)
  26. The Poet
  27. Experience
  28. Politics
  29. From REPRESENTATIVE MEN (1850)
  30. Uses of Great Men
  31. Montaigne; or, the Skeptic
  32. LATER ESSAYS AND LECTURES
  33. Emancipation in the British West Indies (1844)
  34. Woman (1855)
  35. Thoreau (1862)
  36. POEMS
  37. Concord Hymn
  38. Additional Reading
  39. Note on the Text
  40. Ask Your Bookseller for these Bantam Classics
  41. About the Author
  42. Copyright

But I hold them?’

When I heard the Earth-song,

I was no longer brave;

My avarice cooled

Like lust in the chill of the grave.

THE SNOW-STORM

image

Announced by all the trumpets of the sky,

Arrives the snow, and, driving o’er the fields,

Seems nowhere to alight: the whited air

Hides hills and woods, the river, and the heaven,

And veils the farm-house at the garden’s end.

The sled and traveller stopped, the courier’s feet

Delayed, all friends shut out, the housemates sit

Around the radiant fireplace, enclosed

In a tumultuous privacy of storm.

Come see the north wind’s masonry.

Out of an unseen quarry evermore

Furnished with tile, the fierce artificer

Curves his white bastions with projected roof

Round every windward stake, or tree, or door.

Speeding, the myriad-handed, his wild work

So fanciful, so savage, nought cares he

For number or proportion. Mockingly,

On coop or kennel he hangs Parian wreaths;

A swan-like form invests the hidden thorn;

Fills up the farmer’s lane from wall to wall,

Maugre the farmer’s sighs; and at the gate

A tapering turret overtops the work.

And when his hours are numbered, and the world

Is all his own, retiring, as he were not,

Leaves, when the sun appears, astonished Art.

To mimic in slow structures, stone by stone,

Built in an age, the mad wind’s night-work,

The frolic architecture of the snow.

THE SPHINX

image

The Sphinx is drowsy,

Her wings are furled:

Her ear is heavy,

She broods on the world.

“Who’ll tell me my secret,

The ages have kept?—

I awaited the seer

While they slumbered and slept:—

“The fate of the man-child,

The meaning of man;

Known fruit of the unknown;

Daedalian plan;

Out of sleeping a waking,

Out of waking a sleep;

Life death overtaking;

Deep underneath deep?

“Erect as a sunbeam,

Upspringeth the palm;

The elephant browses,

Undaunted and calm;

In beautiful motion

The thrush plies his wings;

Kind leaves of his covert,

Your silence he sings.

“The waves, unashamed,

In difference sweet,

Play glad with the breezes,

Old playfellows meet;

The journeying atoms,

Primordial wholes,

Firmly draw, firmly drive,

By their animate poles.

“Sea, earth, air, sound, silence

Plant, quadruped, bird,

By one music enchanted,

One deity stirred,—

Each the other adorning,

Accompany still;

Night veileth the morning,

The vapor the hill.

“The babe by its mother

Lies bathed in joy;

Glide its hours uncounted,—

The sun is its toy;

Shines the peace of all being,

Without cloud, in its eyes;

And the sum of the world

In soft miniature lies.

“But man crouches and blushes,

Absconds and conceals;

He creepeth and peepeth,

He palters and steals,

Infirm, melancholy,

Jealous glancing around,

An oaf, an accomplice,

He poisons the ground.

“Out spoke the great mother,

Beholding his fear;—

At the sound of her accents

Cold shuddered the sphere:—

‘Who has drugged my boy’s cup?

Who has mixed my boy’s bread?

Who, with sadness and madness,