Back Rage Save as PDF
Chapters (46)
  1. CHAPTER 1
  2. CHAPTER 2
  3. CHAPTER 3
  4. CHAPTER 4
  5. CHAPTER 5
  6. CHAPTER 6
  7. CHAPTER 7
  8. CHAPTER 8
  9. CHAPTER 9
  10. CHAPTER 10
  11. CHAPTER 11
  12. CHAPTER 12
  13. CHAPTER 13
  14. CHAPTER 14
  15. CHAPTER 15
  16. CHAPTER 16
  17. CHAPTER 17
  18. CHAPTER 18
  19. CHAPTER 19
  20. CHAPTER 20
  21. CHAPTER 21
  22. CHAPTER 22
  23. CHAPTER 23
  24. CHAPTER 24
  25. CHAPTER 25
  26. CHAPTER 26
  27. CHAPTER 27
  28. CHAPTER 28
  29. CHAPTER 29
  30. CHAPTER 30
  31. CHAPTER 31
  32. CHAPTER 32
  33. CHAPTER 33
  34. CHAPTER 34
  35. CHAPTER 35
  36. CHAPTER 36
  37. CHAPTER 37
  38. CHAPTER 38
  39. CHAPTER 39
  40. CHAPTER 40
  41. CHAPTER 41
  42. CHAPTER 42
  43. CHAPTER 43
  44. CHAPTER 44
  45. CHAPTER 45
  46. CHAPTER 46

His eyes were silver blue and still.

Milo showed him I.D. Malley barely glanced at it.

“Mr. Malley, I don’t mean to intrude, but there are some questions I’d like to ask you.”

Malley didn’t answer.

“Sir?”

Silence.

Milo said, “Are you aware that Rand Duchay was murdered Saturday night?”

Malley clicked his teeth together. Backed into his cabin. Closed the door.

Milo knocked. Called Malley’s name.

No response.

We walked to the south side of the house. No windows. At the rear a single horizontal pane was set high into the northern wall. Milo stretched upward and rapped the glass.

Bird calls, forest rustles. Then: music.

Honky-tonk piano. A tune I’d always liked— Floyd Cramer’s “Last Date.” Solo piano, a recording I’d never heard.

Momentary hesitation, then the tune repeated. A flubbed note followed by fluidity.

Not a recording. Live.

Malley played the song through, then began again, improvising a basic but decently phrased solo.

The rendition repeated. Ended. Milo took advantage of the silence and knocked on Malley’s window again.

Malley resumed playing. Same tune. Different improv.

Milo turned on his heel, lips moving. I couldn’t make out what he said and knew better than to ask.

On our way out of the campgrounds, we spotted Bunny MacIntyre over by the RVs, talking to one of the elderly couples. Her hand went out and some bills were passed. She saw us, turned away.

“Charming rural folk,” said Milo, as we got back in the unmarked. “Is that the theme from Deliverance I hear wafting through the piney woods?”

“Should’ve brought my guitar.”

“A duet with Barnett the Pianner Man? Was that the reaction of an innocent guy, Alex? I was hoping I could eliminate him, but just the opposite.”

“Wonder why he keeps that welcome mat in front,” I said.

“Maybe some people are welcome.” He turned the ignition key, let the car idle. “The bloodhound part of me is itching to sniff, but the self-styled protector of victims thinks it’s gonna be a shame if Malley turns out to be a murderer. Guy’s life was blown to bits. I don’t read the Bible, but on some level, I get the whole eye-for-an-eye thing.”

“I get it, too,” I said. “Even though eye for an eye was never meant to be taken literally.”

“Sez who?”

“If you read the original biblical text, the context is pretty clear. It’s tort law— monetary compensation for damages.”

“Did you come up with that on your own?”

“A rabbi told me.”

“Guess he’d know.” He drove out of the campgrounds, turned onto the highway, switched on the police band. Crime was down but the dispatcher’s recitation of felonies was constant.

“The possibilities,” he said, “are dismal.”

* * *

Thursday morning, he called at eleven-fifteen. “Time for tandoori.”