We approached the Blood Holes in the early afternoon, me sweating and nervous, and not just because of the unseasonal heat or the fact that my financial future was about to ride on two very broad shoulders. The Silent Sister always unsettled me, and I’d seen entirely too much of her today. I kept glancing about, half-expecting to spot her again along the crowded streets.

“Let’s see this monster of yours!” Lon Greyjar slapped a hand to my shoulder, shaking me out of my rememberings and alerting me to the fact that we’d arrived at the Blood Holes. I made a smile for him and promised myself I’d fleece the little fucker down to his last crown. He had an annoying way about him, did Lon, too chummy, too keen to lay hands on you, and always snipping away at anything you said as if he doubted everything, even the boots you were standing in. Fair enough, I lie a lot, but that doesn’t mean cousins of some minor princeling can take liberties.

I paused before approaching the doors and stepped back, casting my gaze along the outer walls. The place had been a slaughterhouse once, though a grand one, as if the king back in those days had wanted even his cattle murdered in buildings that would shame the homes of his copper-crown rivals.

On the only other occasion I’d seen the blind-eye woman outside the throne room, she had been on the Street of Nails up close to one of the larger manses towards the western end. I’d come out of some ambassador’s ballroom with an enticing young woman, got my face slapped for my efforts, and was cooling off, watching the street before going back in. I had been wiggling one of my teeth to check that the damned girl hadn’t knocked it loose when I saw the Silent Sister across the broadness of the street. She stood there, bolder than brass, a bucket in one white hand and a horsehair brush in the other, painting symbols on the walls of the manse. Not the garden walls facing the street but the walls of the building itself, seemingly unnoticed by guard or dog. I watched her, growing colder by the moment as if a crack had run through the night, letting all the heat spill out of it. She showed no sign of hurry, painting one symbol, moving on to the next. In the moonlight it looked like blood she was painting with, broad dark strokes, each running with countless dribbles, and coming together to make sigils that seemed to twist the night around them. She was encircling the building, throwing a painted noose about it, patient, slow, relentless. I ran back in then, far more scared of that old woman and her bucket of blood than of the young Countess Loren, her overquick hand, and whatever brothers she might set upon me to defend her honour. The joy of the night was gone, though, and I left for home quick enough.