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Contents ( 33)
  1. CONTENTS
  2. ACKNOWLEDGMENTS
  3. ONE
  4. TWO
  5. THREE
  6. FOUR
  7. FIVE
  8. SIX
  9. SEVEN
  10. EIGHT
  11. NINE
  12. TEN
  13. ELEVEN
  14. TWELVE
  15. THIRTEEN
  16. FOURTEEN
  17. FIFTEEN
  18. SIXTEEN
  19. SEVENTEEN
  20. EIGHTEEN
  21. NINETEEN
  22. TWENTY
  23. TWENTY-ONE
  24. TWENTY-TWO
  25. TWENTY-THREE
  26. TWENTY-FOUR
  27. TWENTY-FIVE
  28. TWENTY-SIX
  29. TWENTY-SEVEN
  30. TWENTY-EIGHT
  31. TWENTY-NINE
  32. THIRTY
  33. THIRTY-ONE

“True enough.” And Taproot waved me out, fluttering his hands as if I were a tumbler come to beg more sawdust for the centre ring and not a prince of Red March. I let him do it too, for when a man who knows too much knows not to waste his manners on you, it’s best to be moving on.

NINE

The pregnant woman, done for the moment with her tattooing, led me to Varga’s wagon. She waddled ahead of me looking fit to pop at each step, though she said her time lay weeks ahead.

“Daisy,” she told me. Her name, or perhaps what she planned to call the whelp if it proved female. I hadn’t been listening too hard. We’d passed a wagon where a woman in tight silks sat with her ankles crossed behind her head, and my attention had wandered.

“Daisy? A fine name.” For a cow.

I spotted the elephant, corralled by a fence that it could swat aside, tethered to a thick post by a length of chain. A number of circus men, showing off lean and muscular bodies, lounged around a bar made of two barrels and a plank, watching the elephant and whatever else might pass. Behind them a well-laden beer wagon provided shade. Circuses always came amply provisioned with ale for the audience. I guess it must be easier to impress a drunken crowd.

Further on we passed a shabby tent stitched with moon and stars, symbols of the horoscope dotted amongst the faded heavens. An ancient sat outside on a three-legged stool, snaggle-toothed and liver-spotted.

“Cross my palm, stranger.” I couldn’t tell if the creature was man or woman.

“Don’t humour her.” Daisy increased the speed of her waddle. “Cracked, that one is. Everything’s doom and gloom. Drives the punters away.”

“You’re quarry.” The old woman called after us, then coughed as if a lung had burst. “Quarry.” I couldn’t tell which of us she’d aimed the words at.

“Save it for the peasants,” I called back, but it left a chill. Always does. I expect that’s why prophecy sells.

We walked on until the hacking cough faded behind us. I laughed, but in truth I had felt hunted since we left the city. Though by what I couldn’t say. More than the Silent Sister, more than Maeres’s terrors even, it was the eyes behind that enamel mask that watched me from my quiet moments. Just a glimpse at the opera, just a glancing encounter, and yet it haunted me.

“Varga.” Daisy pointed at a wagon much as Taproot described. She drew in a deep sigh and started to waddle off, back the way we’d come. I offered no thanks, distracted now by the small crowd of scantily clad young women clustered around the open end of Varga’s wagon. Dancers, by the litheness of them and the snatches of silk they wore.

“Ladies.” I approached, flashing them my best smile. It seemed, however, that a tall blond prince of Red March was less interesting than a huge dark Norseman bulging with muscle as if his arms and legs had been crammed with boulders. The girls pointed into the gloom beneath the awning, giggling behind their hands, exchanging appreciative whispers. I leaned around and stepped up onto the buckboard.