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Chapters (47)
  1. Cover
  2. Title Page
  3. Contents
  4. THIS BOOK IS DEDICATED
  5. Epigraph
  6. Blood Genesis
  7. Blood Argot
  8. Part I
  9. Chapter I
  10. Chapter 2
  11. Chapter 3
  12. Chapter 4
  13. Part II
  14. Chapter 5
  15. Chapter 6
  16. Chapter 7
  17. Chapter 8
  18. Chapter 9
  19. Chapter 10
  20. Chapter 11
  21. Chapter 12
  22. Chapter 13
  23. Chapter 14
  24. Chapter 15
  25. Chapter 16
  26. Chapter 17
  27. Chapter 18
  28. Chapter 19
  29. Part III
  30. Chapter 20
  31. Chapter 21
  32. Chapter 22
  33. Chapter 23
  34. Chapter 24
  35. Chapter 25
  36. Chapter 26
  37. Chapter 27
  38. Part IV
  39. Chapter 28
  40. Chapter 29
  41. Chapter 30
  42. Chapter 31
  43. Chapter 32
  44. Appendix 1
  45. Appendix 2
  46. ALSO BY ANNE RICE
  47. Copyright

His left thumb hooked into an old-fashioned wooden palette, his pockets filled with tubes of acrylic paint, he used only one brush until it fell to pieces, covering the broken walls with brilliant pictures of the trees, the vines, the flowers he’d seen in Rio de Janeiro and the faces, yes, always the faces of the beautiful Brazilians he encountered everywhere, walking through the nighttime rain forest of Corcovado, or on the endless beaches of the city, or in the noisy garishly lighted nightclubs he frequented, collecting expressions, images, flashes of hair or shapely limbs as he might have collected pebbles from the frothy margin of the ocean.

All this he poured into his feverish painting, rushing as if at any moment the police would appear with the old tiresome admonitions. “Sir, you cannot paint in these abandoned buildings, we have told you.”

Why did he do it? Why was he so loath to interfere with the mortal world? Why didn’t he compete with those brilliant native painters who spread their murals out in the freeway underpasses and on crumbling favela walls?

Actually, he would be moving on to something much more challenging, yes, he had been giving it a lot of thought, wanting to move to some godforsaken desert place where he might paint on the rocks and the mountains confident that all would restore themselves in time as the inevitable rains would wash away all that he’d created. He wouldn’t be competing with human beings there, would he? He wouldn’t hurt anybody.

Seemed for the last twenty years of his life, his motto had been the same as many a doctor had taken in this world: “First, do no harm.”

The problem with retiring to a desert place was that Daniel would hate it. And keeping Daniel happy was the second rule of his life, as his own sense of well-being, his own capacity to open his eyes each evening with some desire to actually rise from the dead and celebrate the gift of life, was connected to and sustained by making Daniel happy.

And Daniel was certainly happy now in Rio de Janeiro. Tonight Daniel was hunting in the old Leda section of Rio, feasting slowly and stealthily among the dancing, singing, partying crowds, drunk no doubt on music as well as on blood. Ah, the young ones with their insatiable thirst.

But Daniel was a disciplined hunter, master of the Little Drink in a crowd, and a slayer of the evildoer only. Marius was certain of that.