Well before morning, he’d reached the open countryside, and he dug deep into the earth to sleep for as long as he could. But the nagging voice had come back to him at sunset. “There isn’t much time. You must go to Kyoto. You must destroy them.”

He ignored the orders. The voice grew angrier and angrier as it had last night. “I will send another!” the voice threatened. “And some night soon I will punish you.”

On he slept. He dreamed of flames but he didn’t care. He wasn’t doing that anymore, no matter what happened. But sometime during the night he saw the old vampire refuge in Kyoto burning. And he heard those awful screams again.

I will punish you!

In a perfect imitation of American slang, which he’d come to love, he answered, “Good luck with that.”

Chapter 7

The Story of Antoine

HE HAD DIED at the age of eighteen, Born to Darkness in weakness and confusion, beaten, burned, and left for dead along with his maker. In his fragile short human life, he’d played the piano only, studying at the Conservatoire de Paris when he was but ten years old. A genius he’d been called, and, oh, the Paris of those times. Bizet, Saint-Saëns, Berlioz, even Franz Liszt—he’d seen them, heard their music, known them all. He might have become one of them. But his brother had betrayed him, fathering a child out of wedlock, and selecting him—a third son, aged seventeen—to take the blame for the scandal. Off to Louisiana he’d been shipped with a fortune that funded his ruin through drink and his nightly attendance at the gambling tables. Only now and then did he vengefully attack the piano in some fashionable parlor or hotel lobby, delighting and confusing happenstance audiences with a riot of broken and violent riffs and incoherent melodies. Taken up by whores and patronesses of the arts alike, he traded upon his looks: jet-black wavy hair, very white skin, and famously deep blue eyes and a baby Cupid’s bow mouth that others liked to kiss and touch with their fingertips. He was tall but gangly, fragile looking, but notoriously strong, able to land a punch with ease to break the jaw of anyone who might try to harm him. Fortunately he had never broken his precious piano fingers doing such things, but knowing it well might happen, he’d taken to carrying a knife and a pistol, and he was no stranger either to the rapier and attended, a few times, at least, a fashionable New Orleans fencing establishment.