Chapters (47)
- Cover
- Title Page
- Contents
- THIS BOOK IS DEDICATED
- Epigraph
- Blood Genesis
- Blood Argot
- Part I
- Chapter I
- Chapter 2
- Chapter 3
- Chapter 4
- Part II
- Chapter 5
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- Chapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- Chapter 15
- Chapter 16
- Chapter 17
- Chapter 18
- Chapter 19
- Part III
- Chapter 20
- Chapter 21
- Chapter 22
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- Chapter 27
- Part IV
- Chapter 28
- Chapter 29
- Chapter 30
- Chapter 31
- Chapter 32
- Appendix 1
- Appendix 2
- ALSO BY ANNE RICE
- Copyright
He lay back in his large overstuffed easy chair marveling at the blue skies and the brilliant sun he saw before him on the large television screen. He watched sleek and powerful American automobiles speeding on mountain roads and over prairies. He watched a somber, bespectacled teacher speak in sonorous tones of “the ascent of man.”
And then there were the films of symphony performances, the full-scale operas, the unending virtuoso concerts! He thought he’d go mad with the beauty of it—witnessing in living color and mesmerizing detail the London Philharmonic play Beethoven’s Ninth Symphony, or the great Itzhak Perlman racing through the Brahms Concerto with an orchestra surrounding him.
Going into Chicago to hunt, he now purchased tickets to see splendid performances in the immense opera house, marveling at its size and luxury. He was awake to the wealth of the world. He was awake to an age that seemed made for his sensibilities.
Where was Lestat in this world? What had happened to him? In the music stores, they still sold his old album. You could buy a video of the single concert to which he’d drawn a capacity crowd. But where was the being himself—and would he remember his once-beloved Antoine? Or had he made a legion of followers since those long-ago southern nights?
Hunting was harder in these great times, yes. One had to seek far and wide to find the detestable human vermin who in ages past had been infinitely more numerous and more at hand. He could find no metropolitan cesspools like the old Barbary Coast. But he didn’t mind that. He didn’t “love” his victims. He never had. He wanted to feed and be done with it.
Once he’d spotted a victim, he was relentless. There was no way for that man or woman to hide. He slipped easily into darkened houses and caressed his mark with rough and eager hands. Let blood be blood.
He was soon playing the piano for a salary in a fine restaurant and making plenty of money from tips on top of that. And he learned to hunt more skillfully among the innocent—drinking from one victim after another on crowded dance floors until he had had enough—without killing or crippling anyone. This took discipline, but he could do it. He could do what he had to do to survive now, to be part of this age, to feel vital and resilient and, yes, immortal.