Chapters (33)
- COVER PAGE
- PRAY FORSILENCE
- DEDICATION
- ACKNOWLEDGMENTS
- CHAPTER 1
- CHAPTER 2
- CHAPTER 3
- CHAPTER 4
- CHAPTER 5
- CHAPTER 6
- CHAPTER 7
- CHAPTER 8
- CHAPTER 9
- CHAPTER 10
- CHAPTER 11
- CHAPTER 12
- CHAPTER 13
- CHAPTER 14
- CHAPTER 15
- CHAPTER 16
- CHAPTER 17
- CHAPTER 18
- CHAPTER 19
- CHAPTER 20
- CHAPTER 21
- CHAPTER 22
- CHAPTER 23
- CHAPTER 24
- CHAPTER 25
- CHAPTER 26
- CHAPTER 27
- CHAPTER 28
- CHAPTER 29
A man clad in blue jeans and wearing the jester mask enters stage right. Bastard, I think and I find myself glad Long stuck that gun in his mouth. He crosses to the mattress and kneels beside Mary. Leaning close, he whispers something in her ear. She smiles at him, then looks at the camera. “We’re going to be playing a sexy game today,” she says.
It’s the first time I’ve heard her voice, and it shocks me. It’s girlish and innocent with the slow inflection of the Amish. Smiling, she reaches for Long. He brushes his knuckles across her check, and I see a connection between them I hadn’t noticed before. The music begins. An old Van Halen song, “Running with the Devil.” As he undresses her, I focus on camera work, realize it’s steady, probably being shot from a tripod.
I fast-forward through the disk, pausing only when something catches my attention. In terms of an accomplice, my efforts net zero. By the time the disk plays out, I’m shaking with outrage and disgust. I feel dirty and upset and unbearably guilty.
Popping out the disk, I mark it as Read, and place it with the other disks that have been viewed. I don’t let myself think or feel as I slide the second disk into the drive. I steel myself against the black dread rising inside me. The voice inside my head telling me I can’t do this. But I don’t stop. I close the drive and click Play.
My pulse jumps when I recognize the Plank farmhouse. The living room. I see the two tall windows, the same lacy curtains. The lighting is bad, probably from some type of battery-powered light. The camera work is jerky, similar in style to The Blair Witch Project, telling me someone is manning the camera. I wonder if this video was shot the night of the murders. Or had Long been at the farmhouse before? And where are the Planks?
The screen goes black for an instant, blinks white, and then the kitchen looms into view. The camera work smoothes out, and I realize he must have set up a tripod. I can see the edge of the table from this angle. The back door. The cabinets and sink. It looks like unedited video. Long appears, adjusting the camera or maybe testing the lighting. He looks into the lens as if he doesn’t realize the camera’s turned on. He’s got a serious look on his face. Is he angry? I wonder. Scared? Intent on killing? Is he about to fly into a rage?