I move the beam lower. A lot of blood now. Caked in her pubic hair. Dark rivulets that ran down the insides of both legs. I look for evidence of a bullet wound, but see nothing. In the back of my mind I wonder if she was alive when they did this to her.

The thought makes me sick. The terribleness of it frightens me on a level so deep that for a moment I can’t catch my breath. I’ve never been a crier, but I feel the burn of tears at the backs of my eyes.

“Chief? You okay?”

I choke back a sound I don’t recognize. A sound that echoes the barrage of emotions banging around inside me. For a full minute, I don’t respond. When I’m finally able to speak, my voice is level. “Call Glock and Pickles again. Tell them we need those lights and generator yesterday.”

“Yes, ma’am.”

“Tell Mona to notify the sheriff’s office. Let them know what’s going on and get some patrols out. Tell her to brief T.J., get him out patrolling. Until we figure out what happened here, we’ve got to assume there’s a cold-blooded son of a bitch out there with a gun.”

As Skid speaks into his radio, I look at the two dead girls, and I feel the crushing weight of my responsibility to them settle onto my shoulders. I’ve heard veteran cops talk about life-altering cases. Cases that haunt a cop long after they’re closed. I’ve had cases like that myself. Cases that fundamentally changed me. Changed the way I view people. The way I perceive my job as a cop. The way I see myself.

Standing there with the stench of death filling my nostrils, I know this is going to be one of those cases. It’s going to take a toll. Not only on me, but on this town I love and a community that’s already seen more than its share of violence.

CHAPTER 3

I’m standing on the back porch one puff into a Marlboro I bummed from Skid when a police cruiser hauling a small trailer barrels down the lane. Light bar and siren blaring, it slides to a halt behind my Explorer, stirring a cloud of dust that alternately glows blue and red, lending yet another layer of surreality to an already surreal scene.

Rupert “Glock” Maddox gets out of the car and goes around to the trailer, opens dual rear doors and pulls down a small ramp. A former Marine, Glock has the dubious honor of being Painters Mill’s first African-American police officer. He’s built like a young Arnold Schwarzenegger, can shoot the hair off a groundhog, and is one of the best cops I’ve ever had the pleasure of working with. As I start toward him, I hope his levelheadedness will balance out the jagged emotions roiling inside me.