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Contents ( 84)
  1. ONE
  2. TWO
  3. THREE
  4. FOUR
  5. FIVE
  6. SIX
  7. SEVEN
  8. EIGHT
  9. NINE
  10. TEN
  11. ELEVEN
  12. TWELVE
  13. THIRTEEN
  14. FOURTEEN
  15. FIFTEEN
  16. SIXTEEN
  17. SEVENTEEN
  18. EIGHTEEN
  19. NINETEEN
  20. TWENTY
  21. TWENTY-ONE
  22. TWENTY-TWO
  23. TWENTY-THREE
  24. TWENTY-FOUR
  25. TWENTY-FIVE
  26. TWENTY-SIX
  27. TWENTY-SEVEN
  28. TWENTY-EIGHT
  29. TWENTY-NINE
  30. THIRTY
  31. THIRTY-ONE
  32. THIRTY-TWO
  33. THIRTY-THREE
  34. THIRTY-FOUR
  35. THIRTY-FIVE
  36. THIRTY-SIX
  37. THIRTY-SEVEN
  38. THIRTY-EIGHT
  39. THIRTY-NINE
  40. FORTY
  41. FORTY-ONE
  42. FORTY-TWO
  43. FORTY-THREE
  44. FORTY-FOUR
  45. FORTY-FIVE
  46. FORTY-SIX
  47. FORTY-SEVEN
  48. FORTY-EIGHT
  49. FORTY-NINE
  50. FIFTY
  51. FIFTY-ONE
  52. FIFTY-TWO
  53. FIFTY-THREE
  54. FIFTY-FOUR
  55. FIFTY-FIVE
  56. FIFTY-SIX
  57. FIFTY-SEVEN
  58. FIFTY-EIGHT
  59. FIFTY-NINE
  60. SIXTY
  61. SIXTY-ONE
  62. SIXTY-TWO
  63. SIXTY-THREE
  64. SIXTY-FOUR
  65. SIXTY-FIVE
  66. SIXTY-SIX
  67. SIXTY-SEVEN
  68. SIXTY-EIGHT
  69. SIXTY-NINE
  70. SEVENTY
  71. SEVENTY-ONE
  72. SEVENTY-TWO
  73. SEVENTY-THREE
  74. SEVENTY-FOUR
  75. SEVENTY-FIVE
  76. SEVENTY-SIX
  77. SEVENTY-SEVEN
  78. SEVENTY-EIGHT
  79. SEVENTY-NINE
  80. EIGHTY
  81. EIGHTY-ONE
  82. EIGHTY-TWO
  83. EIGHTY-THREE
  84. Acknowledgements

Cunningham shot Meyer another disgusted glance.

That fucking idiot kid.

His voice was curt when he spoke again. Efficient. There was now only one way this could end.

‘Change of plan, Jack.’

‘Sir.’ Meyer sat up straighter.

‘Keep the surveillance on the Scottish lawyer for now. But Devlin? He has to go.’

‘How long, sir?’

‘Twenty-four hours at the outside. But make it look like an accident so we don’t have to start playing nice with the Brits.’

‘And Dempsey, sir?’

‘Dempsey?’ Cunningham paused for a beat. His mind was made up. ‘Dempsey dies today.’

TWENTY-SIX

The industrial buzz of Tom Quilty’s apartment intercom tore the former analyst from his sleep. His eyes open wide, for a moment he forgot not just where he was, but when. In that instant between sleep and consciousness he was a young man again. Fit. Healthy. Formidable.

The illusion did not last; his wrecked body had dispelled it even before his mind had cleared. The feeling of age in his limbs was evidence enough, but it was nothing next to the pain of his lungs and throat. Within moments he was already struggling for breath.

The buzzer sounded again as he slowly lifted himself from his bed. He was weak for his age. But it was not physical weakness that drained him as he climbed to his feet. It was the desperate need for oxygen.

He glanced towards the tank that sat beside his bed. His nasal cannula was in place, an outlet into both nostrils. Quilty flicked it, to dislodge whatever was now blocking its flow. It made no difference; its air supply seems non-existent. He turned his attention to the tank’s valve. Moving close, he listened for the sound that would tell him that the oxygen was flowing. He could hear it, but still he felt no benefit.

A quick inspection of the gauge told him why. The container was practically empty, reducing the airflow to a trickle.

The buzzer again.

‘For Christ’s sake, I’m . . . coming.’ It was intended as a shout. It was a croak at best.

Sonsofbitches would wake the dead, he thought to himself as he pulled the cannula from his nose and headed towards his apartment’s main room.

The second of Quilty’s oxygen tanks was in the living room. It was the same tank he had used the previous evening, when Dempsey had been with him. Quilty reached it, placed the mask over his mouth and turned the output valve.

This time he felt the hit. The cold, concentrated oxygen filled what little capacity his lungs had left. He allowed himself to sit for a moment, as he took breath after breath. He sucked in mouthfuls of air, as if each might be his last.

The buzzer sounded again, longer than before. He placed the mask on the side of his armchair, climbed to his feet and walked to the intercom. It had no handset or camera. Just an open mic and speaker.

‘Hello?’

‘Mr Quilty?’