Back Peter Pan Must Die Save as PDF
Chapters (74)
  1. Other Books by This Author
  2. Title Page
  3. Copyright
  4. Dedication
  5. Contents
  6. Prologue
  7. Part One: An Impossible Murder
  8. Chapter 1
  9. Chapter 2
  10. Chapter 3
  11. Chapter 4
  12. Chapter 5
  13. Chapter 6
  14. Chapter 7
  15. Chapter 8
  16. Chapter 9
  17. Chapter 10
  18. Chapter 11
  19. Chapter 12
  20. Chapter 13
  21. Chapter 14
  22. Chapter 15
  23. Chapter 16
  24. Chapter 17
  25. Chapter 18
  26. Chapter 19
  27. Part Two: Peter Pan
  28. Chapter 20
  29. Chapter 21
  30. Chapter 22
  31. Chapter 23
  32. Chapter 24
  33. Chapter 25
  34. Chapter 26
  35. Chapter 27
  36. Chapter 28
  37. Chapter 29
  38. Chapter 30
  39. Chapter 31
  40. Chapter 32
  41. Chapter 33
  42. Chapter 34
  43. Chapter 35
  44. Chapter 36
  45. Chapter 37
  46. Chapter 38
  47. Chapter 39
  48. Part Three: All the Evil in the World
  49. Chapter 40
  50. Chapter 41
  51. Chapter 42
  52. Chapter 43
  53. Chapter 44
  54. Chapter 45
  55. Chapter 46
  56. Chapter 47
  57. Chapter 48
  58. Chapter 49
  59. Chapter 50
  60. Chapter 51
  61. Chapter 52
  62. Chapter 53
  63. Part Four: Perfect Justice
  64. Prologue
  65. Chapter 54
  66. Chapter 55
  67. Chapter 56
  68. Chapter 57
  69. Chapter 58
  70. Chapter 59
  71. Chapter 60
  72. Chapter 61
  73. Chapter 62
  74. Acknowledgments

He watched the parking area segment of the video again, confirming his impression of the sign on the minivan door: that it wasn’t painted directly on the vehicle but was the removable magnetic kind. Also, that there was only one sign and that it was on the driver’s-side door rather than the passenger’s-side door—an odd choice, since under most circumstances it is the passenger door that is more visible to the public. It was a choice that made sense, however, if the driver wanted to be able to remove it quickly, without having to stop.

There was no phone number on the sign. He did an Internet search for “Flowers by Florence” and found several businesses by that name, but none within a hundred miles of Emmerling Oaks. Neither fact surprised him.

He finished his coffee, now less than lukewarm, and headed for Walnut Crossing—feeling both energized and frustrated by what he viewed as the case’s two main oddities: the light pole obstruction that seemed to turn the shooter’s supposed location into an impossibility, and a relatively simple murder objective combined with an MO that seemed way too complicated.

Someone shot Carl the way Oswald shot Kennedy. Not the way wives shoot their husbands. Not the way mob guys settle their disputes. It seemed to Gurney that the objective could have been accomplished in a dozen easier ways—ways that would have involved a hell of a lot less planning, coordination, and precision than a five-hundred-yard sniper shot fired at a funeral ceremony across a river with a silenced rifle from inside a building full of squatters. Assuming, of course, that the shot came from somewhere in that building to begin with. From a window with a clean line of sight to Carl Spalter’s temple. And speaking of complications, why kill Carl’s mother first? The most obvious reason, given the outcome, would be to get Carl into the cemetery. But what if that murder was for another reason entirely?

Turning these tangled questions over in his mind on the way home made the hour-long trip disappear. Immersed in possible explanations and linkages, he was barely aware of where he was, until, at the top of the mountain road that dead-ended into his property, the text message ring of his phone brought his attention back to his surroundings. He continued up through the sloping pasture to the house before checking the screen. It was the reply from Bolo that he’d been hoping for: “yes yes. same shades. funny noze. the pisser man.”

As questionable as the witness might be—Hardwick would surely make that point again—this confirmation (of sorts) that the odd little character had been present at both events gave Gurney his first sense of solidity about the case. It was little more than the clicking together of the first two pieces of a five-hundred-piece puzzle, but it felt good.