Back Peter Pan Must Die Save as PDF
Chapters (74)
  1. Other Books by This Author
  2. Title Page
  3. Copyright
  4. Dedication
  5. Contents
  6. Prologue
  7. Part One: An Impossible Murder
  8. Chapter 1
  9. Chapter 2
  10. Chapter 3
  11. Chapter 4
  12. Chapter 5
  13. Chapter 6
  14. Chapter 7
  15. Chapter 8
  16. Chapter 9
  17. Chapter 10
  18. Chapter 11
  19. Chapter 12
  20. Chapter 13
  21. Chapter 14
  22. Chapter 15
  23. Chapter 16
  24. Chapter 17
  25. Chapter 18
  26. Chapter 19
  27. Part Two: Peter Pan
  28. Chapter 20
  29. Chapter 21
  30. Chapter 22
  31. Chapter 23
  32. Chapter 24
  33. Chapter 25
  34. Chapter 26
  35. Chapter 27
  36. Chapter 28
  37. Chapter 29
  38. Chapter 30
  39. Chapter 31
  40. Chapter 32
  41. Chapter 33
  42. Chapter 34
  43. Chapter 35
  44. Chapter 36
  45. Chapter 37
  46. Chapter 38
  47. Chapter 39
  48. Part Three: All the Evil in the World
  49. Chapter 40
  50. Chapter 41
  51. Chapter 42
  52. Chapter 43
  53. Chapter 44
  54. Chapter 45
  55. Chapter 46
  56. Chapter 47
  57. Chapter 48
  58. Chapter 49
  59. Chapter 50
  60. Chapter 51
  61. Chapter 52
  62. Chapter 53
  63. Part Four: Perfect Justice
  64. Prologue
  65. Chapter 54
  66. Chapter 55
  67. Chapter 56
  68. Chapter 57
  69. Chapter 58
  70. Chapter 59
  71. Chapter 60
  72. Chapter 61
  73. Chapter 62
  74. Acknowledgments

“The one closest to you—idiot baseball hat, hand on the railing. The one next to him, in the black hoodie, hands in his pockets. And the one closest to me, wearing the blue satin basketball uniform three sizes too big. You got any better choices?”

“Let me take a closer look. I’ll call you back.”

He slipped the phone in his pocket, studying the twelve little bodies at the railing, with particular attention to the three highlighted by Hardwick. But there was a phrase the man had used that hit a nerve: a bit of a stretch.

A bit of a stretch, indeed. In fact, Gurney had a sick, sinking feeling that there was something preposterous about the whole notion—the notion that one of these restless, absurdly dressed middle-schoolers might actually be Peter Pan. As he changed his position in order to see more of their faces, he was tempted to abandon the whole endeavor, to accept the probability that Peter Pan had escaped the fairgrounds and was at that moment bound for places unknown, far from Walnut Crossing. Surely that was a saner position than believing that one of the little people at that railing—seemingly enthralled by the roar and clatter of the “amusements”—was a ruthless executioner.

Was it conceivable that the man whom Interpol credited with more than fifty hits, who cracked Mary Spalter’s skull on the edge of her bathtub, who hammered nails into Gus Gurikos’s eyes, who burned seven people to death in Cooperstown, who cut off Lex Bincher’s head, was now passing himself off as one of these children? As Gurney ambled past them as if he were trying to get a better view of the huge Ferris wheel, he found it mind-boggling to imagine any of them as a professional murderer—and not only a murderer but also a man who specialized in contracts others considered impossible.

That final thought pulled Gurney sideways to an issue he’d wondered about several times in the last few days but had spent no real time examining. It was probably the most perplexing question of all:

What was so hard about the hit on Carl Spalter?

What was the “impossible” aspect? What made it a job for Panikos in the first place?

Perhaps the answer to that one question would unravel all the other secrets in the case. Gurney decided then and there to think his way through it until the truth emerged. The simplicity of the question persuaded him that it was the right question. It even restored in him a modest sense of optimism. He felt that he was on the right track.

Then something startling happened.

An answer occurred to him that was as simple as the question.