Chapters (74)
- Other Books by This Author
- Title Page
- Copyright
- Dedication
- Contents
- Prologue
- Part One: An Impossible Murder
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- Chapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- Chapter 15
- Chapter 16
- Chapter 17
- Chapter 18
- Chapter 19
- Part Two: Peter Pan
- Chapter 20
- Chapter 21
- Chapter 22
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- Chapter 27
- Chapter 28
- Chapter 29
- Chapter 30
- Chapter 31
- Chapter 32
- Chapter 33
- Chapter 34
- Chapter 35
- Chapter 36
- Chapter 37
- Chapter 38
- Chapter 39
- Part Three: All the Evil in the World
- Chapter 40
- Chapter 41
- Chapter 42
- Chapter 43
- Chapter 44
- Chapter 45
- Chapter 46
- Chapter 47
- Chapter 48
- Chapter 49
- Chapter 50
- Chapter 51
- Chapter 52
- Chapter 53
- Part Four: Perfect Justice
- Prologue
- Chapter 54
- Chapter 55
- Chapter 56
- Chapter 57
- Chapter 58
- Chapter 59
- Chapter 60
- Chapter 61
- Chapter 62
- Acknowledgments
“So, what’s this ‘precaution’ thing you mentioned?” No surprise to Gurney, that was the first question Kyle asked when they sat down to eat twenty minutes later.
Instead of downplaying the threat, which would be his natural inclination, Gurney recounted the attack on Hardwick’s house and the atrocity in Cooperstown in straightforward terms. If he was going to have to persuade Kyle to leave—for home or another safe place, at least by the following morning—it would make no sense to soft-pedal the peril now.
As Gurney spoke, his son listened with silent concern—as well as the visible excitement that a hint of danger often arouses in young men.
After they ate, Kyle set up his laptop on the dining table and Gurney gave him the USB drive with the Axton Avenue video files. They located the two short segments Gurney wanted enhanced. The first was the portion of the cemetery sequence beginning with Carl rising from his chair and ending with him sprawled face-down with a bullet in his brain. The second was the portion of the street sequence that showed the diminutive figure Gurney believed to be Petros Panikos entering the building with the gift-wrapped box that presumably contained the rifle later found upstairs in the apartment.
Kyle was studying the images on his computer screen. “You want these blown up for max detail with minimum software interpolation?”
“Say that again?”
“When you blow stuff up, you spread out the actual digital data. The image gets bigger but also fuzzier, because there’s less hard information per square inch. Software can compensate for that by making assumptions, filling in the data gaps, sharpening, smoothing. But that introduces an element of unreliability in the image because not everything in the enhancement is present in the original pixels. In order to de-fuzz the enlargement, the software makes calculated guesses based more on probability than on hard data.”
“So what are you recommending?”
“I’d recommend picking a point of reasonable compromise between the sharpness of the enlargement and the reliability of the data composing it.”
“Fine. Aim for whatever balance you think is right.” Gurney smiled not only at his son’s grasp of the process but also at the excitement in his voice. He seemed the happy archetype of that under-thirty generation born and bred with a natural affinity for all things digital.
“Just give me a little time to mess around with a few test runs. I’ll let you know when I have something worth looking at.” Kyle opened the program’s toolbar, clicked on one of the zoom icons, then stopped. He looked over at Gurney, who was carrying their omelet dishes to the sink island, and asked a question that seemed to come out of nowhere.
“Apart from dealing with sensational murders and things, how’re you guys doing up here?”
“How are we doing? Okay, I guess. Why do you ask?”