Back Peter Pan Must Die
Chapters (74)
  1. Other Books by This Author
  2. Title Page
  3. Copyright
  4. Dedication
  5. Contents
  6. Prologue
  7. Part One: An Impossible Murder
  8. Chapter 1
  9. Chapter 2
  10. Chapter 3
  11. Chapter 4
  12. Chapter 5
  13. Chapter 6
  14. Chapter 7
  15. Chapter 8
  16. Chapter 9
  17. Chapter 10
  18. Chapter 11
  19. Chapter 12
  20. Chapter 13
  21. Chapter 14
  22. Chapter 15
  23. Chapter 16
  24. Chapter 17
  25. Chapter 18
  26. Chapter 19
  27. Part Two: Peter Pan
  28. Chapter 20
  29. Chapter 21
  30. Chapter 22
  31. Chapter 23
  32. Chapter 24
  33. Chapter 25
  34. Chapter 26
  35. Chapter 27
  36. Chapter 28
  37. Chapter 29
  38. Chapter 30
  39. Chapter 31
  40. Chapter 32
  41. Chapter 33
  42. Chapter 34
  43. Chapter 35
  44. Chapter 36
  45. Chapter 37
  46. Chapter 38
  47. Chapter 39
  48. Part Three: All the Evil in the World
  49. Chapter 40
  50. Chapter 41
  51. Chapter 42
  52. Chapter 43
  53. Chapter 44
  54. Chapter 45
  55. Chapter 46
  56. Chapter 47
  57. Chapter 48
  58. Chapter 49
  59. Chapter 50
  60. Chapter 51
  61. Chapter 52
  62. Chapter 53
  63. Part Four: Perfect Justice
  64. Prologue
  65. Chapter 54
  66. Chapter 55
  67. Chapter 56
  68. Chapter 57
  69. Chapter 58
  70. Chapter 59
  71. Chapter 60
  72. Chapter 61
  73. Chapter 62
  74. Acknowledgments

In the den he tapped a key on his open laptop to bring it to life. He took the USB drive out of his pocket and stuck it in the appropriate slot. The icon that appeared was titled “02 DEC 2011 08:00AM–11:59AM”—the time window within which the Spalter shooting had occurred. He went to the GET INFO menu and discovered that the little thumb drive had a 64GB capacity, far more than enough to cover the specified hours, even at a high resolution.

He clicked on the drive icon, and a window opened immediately with four video file icons—titled “CAM A (INT),” “CAM B (EAST),” “CAM C (WEST),” and “CAM D (SOUTH).”

Interesting. A four-camera array was an unusual level of video security for a small electronics store in a small city. Gurney figured the array was either an active display for the purpose of selling security cameras—like having a wall of televisions, all on—or, a possibility that had crossed his mind earlier, Hairy Harry and his girlfriend were in a riskier business than consumer electronics.

Since the south-facing camera would have been the one facing the Willow Rest cemetery, that was the file Gurney chose first. When he clicked on the icon, a video window appeared with controls for PLAY, PAUSE, REVERSE, and CLOSE, plus a sliding bar linked to the file time code, for getting to specific points in the video. He clicked on PLAY.

What he saw then was what he’d hoped for. It was almost too good to be true. Not only was the file resolution superb, but the camera that had produced the file evidently included the latest motion-tracking and zoom-to-action technology. And, of course, like most security cameras, it was motion-activated—recording video only when something was happening—and had a real-time indicator at the bottom of the frame.

The motion-activation feature meant that the nominal four-hour period of coverage would occupy far less recorded time in the file, since intervals of inactivity in the camera’s field of view would not be represented. So it was that the first hour of the period had produced less than ten minutes of digital footage—triggered mainly by hardy dog walkers and winter-suited joggers performing their morning rituals on a path that paralleled the low cemetery wall. The scene was brightened by pale winter sunlight and a light, patchy coating of snow.