Back Peter Pan Must Die
Chapters (74)
  1. Other Books by This Author
  2. Title Page
  3. Copyright
  4. Dedication
  5. Contents
  6. Prologue
  7. Part One: An Impossible Murder
  8. Chapter 1
  9. Chapter 2
  10. Chapter 3
  11. Chapter 4
  12. Chapter 5
  13. Chapter 6
  14. Chapter 7
  15. Chapter 8
  16. Chapter 9
  17. Chapter 10
  18. Chapter 11
  19. Chapter 12
  20. Chapter 13
  21. Chapter 14
  22. Chapter 15
  23. Chapter 16
  24. Chapter 17
  25. Chapter 18
  26. Chapter 19
  27. Part Two: Peter Pan
  28. Chapter 20
  29. Chapter 21
  30. Chapter 22
  31. Chapter 23
  32. Chapter 24
  33. Chapter 25
  34. Chapter 26
  35. Chapter 27
  36. Chapter 28
  37. Chapter 29
  38. Chapter 30
  39. Chapter 31
  40. Chapter 32
  41. Chapter 33
  42. Chapter 34
  43. Chapter 35
  44. Chapter 36
  45. Chapter 37
  46. Chapter 38
  47. Chapter 39
  48. Part Three: All the Evil in the World
  49. Chapter 40
  50. Chapter 41
  51. Chapter 42
  52. Chapter 43
  53. Chapter 44
  54. Chapter 45
  55. Chapter 46
  56. Chapter 47
  57. Chapter 48
  58. Chapter 49
  59. Chapter 50
  60. Chapter 51
  61. Chapter 52
  62. Chapter 53
  63. Part Four: Perfect Justice
  64. Prologue
  65. Chapter 54
  66. Chapter 55
  67. Chapter 56
  68. Chapter 57
  69. Chapter 58
  70. Chapter 59
  71. Chapter 60
  72. Chapter 61
  73. Chapter 62
  74. Acknowledgments

He found it surprisingly difficult. His mind was unsettled, moving from one unresolved issue to another. The unreachability of Lex Bincher. The similar unreachability of the three key witnesses. The shots in the night eliminating Hardwick’s lights and phone. The grotesque mutilation of Fat Gus—a warning that the killer’s secret must be kept. But what secret? Was it his or her identity? Or something else?

And, of course, there was the central conundrum of the case from the beginning, the puzzle piece that Gurney felt would eventually make sense of all the others—the contradictory site of the shooting. On the one hand, there was the apartment with the silenced, tripod-fitted rifle and the fresh gunpowder residue with a chemical profile that linked it to a .220 Swift cartridge and the bullet fragments extracted from Carl Spalter’s brain. On the other hand, there was the light pole that made the shot impossible.

It was possible that the killer used a different apartment in that building to make the shot and then transferred the weapon to the apartment where it was found, firing a second shot from that location to produce the powder residue. But that scenario was simpler in the saying than it would have been in the doing. It also involved a much-elevated risk of detection, requiring the shooter to carry the cumbersome combination of rifle, tripod, and suppressor through the public spaces of the building. And why bother? There were, after all, several unoccupied apartments from which the shot could have been fired successfully. So why move the weapon at all? Surely not to create an intellectual puzzle. Murderers are rarely that playful. And professional hitters never are.

That thought brought him full circle to the more immediate matter of Klemper. Was Mick the Dick the thuggish, horny clown that his nickname and general manner seemed to suggest? Or might the man be a darker, colder operator altogether?

Gurney hoped their meeting in the mall would provide some answers.

He needed to focus now on the broadest range of possibilities, think them through—angles, objectives. He straightened the yellow pad on his desk and picked up his pen. He tried to force his thoughts into a logical structure by drawing a branching diagram, beginning with four possibilities.

One posited Alyssa as the prime mover behind Carl’s murder and Kay’s conviction.

The second substituted Jonah Spalter for Alyssa.

The third posited an Unknown as Carl’s murderer, with Alyssa and Klemper as opportunistic conspirators in Kay’s conviction.

The fourth posited Kay as guilty.

He added a second level of branching possibilities under each of these.

“Hello?”

Gurney blinked.

“Hello?” It was Madeleine’s voice calling from the opposite side of the house. From the mudroom, it sounded like.

Bringing his pad and pen with him, he went out to the kitchen. “I’m here.”