Back Peter Pan Must Die Save as PDF
Chapters (74)
  1. Other Books by This Author
  2. Title Page
  3. Copyright
  4. Dedication
  5. Contents
  6. Prologue
  7. Part One: An Impossible Murder
  8. Chapter 1
  9. Chapter 2
  10. Chapter 3
  11. Chapter 4
  12. Chapter 5
  13. Chapter 6
  14. Chapter 7
  15. Chapter 8
  16. Chapter 9
  17. Chapter 10
  18. Chapter 11
  19. Chapter 12
  20. Chapter 13
  21. Chapter 14
  22. Chapter 15
  23. Chapter 16
  24. Chapter 17
  25. Chapter 18
  26. Chapter 19
  27. Part Two: Peter Pan
  28. Chapter 20
  29. Chapter 21
  30. Chapter 22
  31. Chapter 23
  32. Chapter 24
  33. Chapter 25
  34. Chapter 26
  35. Chapter 27
  36. Chapter 28
  37. Chapter 29
  38. Chapter 30
  39. Chapter 31
  40. Chapter 32
  41. Chapter 33
  42. Chapter 34
  43. Chapter 35
  44. Chapter 36
  45. Chapter 37
  46. Chapter 38
  47. Chapter 39
  48. Part Three: All the Evil in the World
  49. Chapter 40
  50. Chapter 41
  51. Chapter 42
  52. Chapter 43
  53. Chapter 44
  54. Chapter 45
  55. Chapter 46
  56. Chapter 47
  57. Chapter 48
  58. Chapter 49
  59. Chapter 50
  60. Chapter 51
  61. Chapter 52
  62. Chapter 53
  63. Part Four: Perfect Justice
  64. Prologue
  65. Chapter 54
  66. Chapter 55
  67. Chapter 56
  68. Chapter 57
  69. Chapter 58
  70. Chapter 59
  71. Chapter 60
  72. Chapter 61
  73. Chapter 62
  74. Acknowledgments

“It supports the idea that the nails were a warning to someone, rather than a way of punishing the victim. The time of death is interesting, too. In the original incident report on Carl’s shooting it gives the time of death as ten-twenty. The location of the Gurikos murder in his home near Utica would make it impossible for the shooter to have killed him at ten, gone through the nailing mess, cleaned himself up, driven to Long Falls, and gotten set up in time to hit Carl at ten-twenty. So it must have happened the other way around—Carl first, then Gus.”

“Assuming only one shooter,” said Hardwick.

“Right. But that’s an assumption we ought to make, at least until there’s evidence of more than one.” He turned to Esti. “Anything yet on Gurikos?”

“My contact at OCTF is looking into it. She wasn’t directly involved, so she has to tiptoe. She doesn’t want to set off alarms that could prompt follow-up queries to the original investigator. Kind of a tricky situation.”

“How about the Spalter MO?”

“That’s different. Klemper never initiated any ViCAP or NCIC searches, because he’d already made his decision about Kay. So I can pursue that more safely.”

“That’s great. And, Jack, you’re chasing after the prosecution witnesses—and whatever you can get from your Interpol friend?”

“Yeah. Nothing yet from Interpol. And none of the witnesses are still at the addresses listed in the case file—which may not be particularly significant, given their basic nature.”

Esti stared at him. “Their basic nature?”

Hardwick’s eyes lit up with the arch look that always got under Gurney’s skin. “Their basic nature is that they lack upstanding qualities. They’re fundamentally scumbags. It’s a known fact that scumbags who lack upstanding qualities often lack permanent addresses. All I’m saying is that having difficulty in locating them does not signify much. But I will persevere. Even scumbags have to be somewhere.” He turned to Gurney. “So how about telling us about your interview with the heiress.”

“The would-be heiress—if Kay stays in prison.”

“Which is becoming less likely each passing day. This turn of events must be having an interesting effect on Miss Alyssa, yes? You care to share your insights?”

Gurney smiled. “I’ll do better than that. I have a recording. Might not be the greatest quality, but you’ll get the gist.”

“ ‘Fuck me and die’? Did she really say ‘Fuck me and die’?” Esti was leaning toward the recorder as they finished listening for the second time to the conversation at Venus Lake. “What was that all about?”

“Probably the name of her favorite rock band,” suggested Hardwick.

“It could be a threat,” said Esti.

“Or an invitation,” said Hardwick. “You were there, Davey boy. What’d it sound like to you?”

“Like everything else she said and did—a combination of cartoon seduction and calculated bullshit.”