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Chapters (49)
  1. EPIGRAPH
  2. CHAPTER 1
  3. CHAPTER 2
  4. CHAPTER 3
  5. CHAPTER 4
  6. CHAPTER 5
  7. CHAPTER 6
  8. CHAPTER 7
  9. CHAPTER 8
  10. CHAPTER 9
  11. CHAPTER 10
  12. CHAPTER 11
  13. CHAPTER 12
  14. CHAPTER 13
  15. CHAPTER 14
  16. CHAPTER 15
  17. CHAPTER 16
  18. CHAPTER 17
  19. CHAPTER 18
  20. CHAPTER 19
  21. CHAPTER 20
  22. CHAPTER 21
  23. CHAPTER 22
  24. CHAPTER 23
  25. CHAPTER 24
  26. CHAPTER 25
  27. CHAPTER 26
  28. CHAPTER 27
  29. CHAPTER 28
  30. CHAPTER 29
  31. CHAPTER 30
  32. CHAPTER 31
  33. CHAPTER 32
  34. CHAPTER 33
  35. CHAPTER 34
  36. CHAPTER 35
  37. CHAPTER 36
  38. CHAPTER 37
  39. CHAPTER 38
  40. CHAPTER 39
  41. CHAPTER 40
  42. CHAPTER 41
  43. CHAPTER 42
  44. CHAPTER 43
  45. CHAPTER 44
  46. CHAPTER 45
  47. CHAPTER 46
  48. CHAPTER 47
  49. CHAPTER 48

For she had overheard a flutter of talk between Lou and Tray. That time, they said, Cami had been stopped on the bypass, because he did not have a helmet on. And there had been a scene at the side of the road, and suddenly, over the walkie-talkie had come some garbled message, and the police officers had backed away, telling

Camillo how sorry they were. Leading him like a king to the trike. Wishing him a nice journey.

Of course, Camillo was a film director. What else?

But Camillo was not anything of the kind, and any way, such men were fair game. No, it must be because Camillo was Scarabae.

Rachaela passed the policeman, who followed her only appreciatively with his eyes.

She bought complex cakes in the shop, for Sasha, Miranda and Eric, Michael and Cheta.

With a sensation of defeat, that was only the veneer for some other, deeper, darker, more arresting, more peculiar emotion, like waiting, she went back up among the villas and neat streets that led toward the common. Home.

CHAPTER 11

WHEN THE YELLOW DOOR OPENED, A black woman stood there, fat, and fragrant like apple blossom. She smiled at once and behind her black eyes were blue seas. Her black eyes were bright and lit, and there were depths to them, soul-windows. Unlike the paint-black eyes of the girl outside.

"Mrs. Watt?"

Delilah Trinidad eased her bulk a little, from one flat shoe to the other.

"No, pet. Mrs. Watt? I never hear of Mrs. Watt."

Down by the curb, James, Delilah's son, was cleaning his Datsun, his slim body moving to the tempo of his pride.

Delilah looked at him, and wondered if he had heard of a Mrs. Watt.

"This is the house," said the white girl with long black hair.

"No, pet," said Delilah, "if she ever here, she gone." But Delilah was troubled.

"I've come a long way," said the girl. "Into London."

Out of the cool blue hallway behind the yellow door, another girl appeared. She was the shade of dark chocolate, and where Delilah was fat, she was slender, like a young tree. She had the beauty of a model, an icon of high African art. Unlike Delilah, too, she had an English voice, but not the voice of the street. This was RADA.

"What is it, Mom?"

"Dis young girl, she looking for a Mrs. Watt. She better come in, have a cup of coffee. She come all the way to London, Pearl."

Pearl slipped her arm around her mother's cushion shoulders. She did not know it, but by doing so, she had filled up the doorway now, like a fence, the big woman and the slender woman as one.

"I'm sorry," said Pearl. "You seem to be lost. Have you tried next door? They may know."