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Chapters (49)
  1. EPIGRAPH
  2. CHAPTER 1
  3. CHAPTER 2
  4. CHAPTER 3
  5. CHAPTER 4
  6. CHAPTER 5
  7. CHAPTER 6
  8. CHAPTER 7
  9. CHAPTER 8
  10. CHAPTER 9
  11. CHAPTER 10
  12. CHAPTER 11
  13. CHAPTER 12
  14. CHAPTER 13
  15. CHAPTER 14
  16. CHAPTER 15
  17. CHAPTER 16
  18. CHAPTER 17
  19. CHAPTER 18
  20. CHAPTER 19
  21. CHAPTER 20
  22. CHAPTER 21
  23. CHAPTER 22
  24. CHAPTER 23
  25. CHAPTER 24
  26. CHAPTER 25
  27. CHAPTER 26
  28. CHAPTER 27
  29. CHAPTER 28
  30. CHAPTER 29
  31. CHAPTER 30
  32. CHAPTER 31
  33. CHAPTER 32
  34. CHAPTER 33
  35. CHAPTER 34
  36. CHAPTER 35
  37. CHAPTER 36
  38. CHAPTER 37
  39. CHAPTER 38
  40. CHAPTER 39
  41. CHAPTER 40
  42. CHAPTER 41
  43. CHAPTER 42
  44. CHAPTER 43
  45. CHAPTER 44
  46. CHAPTER 45
  47. CHAPTER 46
  48. CHAPTER 47
  49. CHAPTER 48

The journey was not as long, on this occasion, as she had anticipated. The Rolls ran over motorways into the capital, and they were there at sunset.

So she saw the common on a flaming sky the polarized windows could not completely withhold. The trees and sweeps of earth inside the drum of the city, wild land inside a bottle.

She was surprised by the comparative nearness of a road. She stared at them, Eric, Sasha, and Miranda, Michael and Cheta. Below, beyond the houses of rich people (less rich, evidently, than the Scarabae), lay the London village with its shops and supermarket, its library and pubs, and the quills of the churches, and beyond, the smoky back of London. But London was old, too. Remember that.

It was not like the first house at all. Yet it had been made like it. Only the windows were tarot windows instead of puns upon the Bible.

Over the pillared hall were wonderful women in robes, with harps, and rose-red hair. The stairway parted and ran up in two opposing flights, and there the windows had minstrels and flamingo skies.

There was no one to welcome them. The Rolls had driven away. Yet in every room, the machines, the TVs. And in the huge main chamber, white and gold below the stairs, was an ivory telephone.

Rachaela walked boldly to it and picked it up. There was a dialing tone. But who, who, should she call?

Miranda followed her to her room. Miranda made her shy. She had wept with Miranda.

"Look, Rachaela. You'll like it."

The room was the shade of a dove. Soft sweet gray lit with hints of amber. And then the bed and chairs deep green like the pines of the common. And beyond, the white bathroom with its antique finish and viridian window.

But the window in the bedroom, which showed a snowy woman with golden hair and wings, holding up her hands to the doves which had created the room, was not the picture of that other room, the Temptation, with its armor and apples, its Eve, its snake. This was a luminous romantic window, without significance, perhaps. And, it stood open.

"The window—" said Rachaela.

"You can see out over the common," said Miranda.

Sasha had appeared in the doorway.

"You must be careful at night," said Sasha, "of bats."

And this absurdity, these bats of vampire myth, improbable in a London park, made Rachaela laugh aloud, and then Sasha laughed, as once before, and then Miranda. So they all stood laughing.

"Do the colors please you?" asked Miranda.

"It's wonderful, yes."

"Do stay," said Miranda.

As if there had always been free choice.

Of course, actually, there had always been.