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Chapters (49)
  1. EPIGRAPH
  2. CHAPTER 1
  3. CHAPTER 2
  4. CHAPTER 3
  5. CHAPTER 4
  6. CHAPTER 5
  7. CHAPTER 6
  8. CHAPTER 7
  9. CHAPTER 8
  10. CHAPTER 9
  11. CHAPTER 10
  12. CHAPTER 11
  13. CHAPTER 12
  14. CHAPTER 13
  15. CHAPTER 14
  16. CHAPTER 15
  17. CHAPTER 16
  18. CHAPTER 17
  19. CHAPTER 18
  20. CHAPTER 19
  21. CHAPTER 20
  22. CHAPTER 21
  23. CHAPTER 22
  24. CHAPTER 23
  25. CHAPTER 24
  26. CHAPTER 25
  27. CHAPTER 26
  28. CHAPTER 27
  29. CHAPTER 28
  30. CHAPTER 29
  31. CHAPTER 30
  32. CHAPTER 31
  33. CHAPTER 32
  34. CHAPTER 33
  35. CHAPTER 34
  36. CHAPTER 35
  37. CHAPTER 36
  38. CHAPTER 37
  39. CHAPTER 38
  40. CHAPTER 39
  41. CHAPTER 40
  42. CHAPTER 41
  43. CHAPTER 42
  44. CHAPTER 43
  45. CHAPTER 44
  46. CHAPTER 45
  47. CHAPTER 46
  48. CHAPTER 47
  49. CHAPTER 48

"Are you one of the family?" Stella asked. The word Family had evolved, and stuck firmly in her head. That, and one other word. The fox word, Vixen.

"Am I?"

"I'm here to see someone."

"Are you?" said the man. He wore the leathers of a biker. He touched the bike at the front where a horse head was attached. It reminded her in an odd way of the lion.

"The young girl," said Stella.

"Which one?"

There was nothing else to say.

"The one with a knife."

"Ah!" he exclaimed. And then he capered.

Puck, from A Midsummer Night's Dream. Or a devil from Faust.

"You've come," he said, "for Ruth. Nasty Ruth, but they've locked her up, my lady."

"I've come a long way," said Stella.

"Why?"

"Why," she said, "do you think?"

Camillo looked at Stella.

"The rocking horse burned," he said. "They always do. The things you love. They die and burn and fall apart. He knows that. Why did he try again? Broke his back. Black dog, but no black-haired girl." Camillo laughed. "We ran over the snow."

He's mad. Will that help?

"You'll bring her to me," said Stella. "Ruth."

"Nasty," Camillo said. "Take her away. She'll cause trouble, up in the attic."

"Take her away—" said Stella. She had not thought of that.

"Yes, you must. That's my condition." Camillo moved over to the door, and pushed it. It had been open, and behind it was another door, open too.

Beyond was a hall from a country mansion, the kind the public paid to see.

Stella had not paid and barely saw. She saw a staircase.

"Up there," said Camillo. "I'll show you. But you must take her away."

"All right." Stella closed her eyes and then widened them. "I'd like that. To take her away."

"Good. Then here's the key."

He held out to her something which had the name of key, and the being of key.

"The key to the attic?"

"One of them. I stole it."

"Yes."

"Take her away," he said. He went into the hall., and then turned back and flourished to her a courtly bow.

Stella entered the pillared space.

"This time," Camillo said. He made a gesture of cutting and chopping.

Then he scampered up the stairs.

Someone will come.

No one did.

Stella had a sense of things which hid, as if from her. Of things in chrysalis. Moths, spiders, beetles. Things in catacombs, waiting for some night or morning which might never come.

They had climbed the stairs and she had not noticed. There were everywhere colored windows, like a church.

A corridor. Another corridor. Closed doors. More stained glass.

I'm lost.

But she was not.

Through a door another staircase, narrow and un-carpeted.

"Up there," said the old man. She could see he was old, now, nearer seventy than fifty. "Just put the key in the lock."

"I can't remember the way we came."

"Tough," said Camillo, like a youth.