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Chapters (49)
  1. EPIGRAPH
  2. CHAPTER 1
  3. CHAPTER 2
  4. CHAPTER 3
  5. CHAPTER 4
  6. CHAPTER 5
  7. CHAPTER 6
  8. CHAPTER 7
  9. CHAPTER 8
  10. CHAPTER 9
  11. CHAPTER 10
  12. CHAPTER 11
  13. CHAPTER 12
  14. CHAPTER 13
  15. CHAPTER 14
  16. CHAPTER 15
  17. CHAPTER 16
  18. CHAPTER 17
  19. CHAPTER 18
  20. CHAPTER 19
  21. CHAPTER 20
  22. CHAPTER 21
  23. CHAPTER 22
  24. CHAPTER 23
  25. CHAPTER 24
  26. CHAPTER 25
  27. CHAPTER 26
  28. CHAPTER 27
  29. CHAPTER 28
  30. CHAPTER 29
  31. CHAPTER 30
  32. CHAPTER 31
  33. CHAPTER 32
  34. CHAPTER 33
  35. CHAPTER 34
  36. CHAPTER 35
  37. CHAPTER 36
  38. CHAPTER 37
  39. CHAPTER 38
  40. CHAPTER 39
  41. CHAPTER 40
  42. CHAPTER 41
  43. CHAPTER 42
  44. CHAPTER 43
  45. CHAPTER 44
  46. CHAPTER 45
  47. CHAPTER 46
  48. CHAPTER 47
  49. CHAPTER 48

CROSSING THE RIVER, THE FOG lessened. Lights hung in the night water like reflections in a mirror that had been breathed on.

For a moment it might have been anywhere. Torch poles above the Tiber. Brands on the living bank of Thebes. Or some stretch of medieval water lit for an occasion.

But past the river, the fog closed in again.

Rachaela remembered the days of the fog, years ago, when the Scarabae first reached out for her.

"Of course," said Althene, "this is nothing. Hardly a London Particular."

She sat away along the seat of the taxi, the traveling lights catching her colors. She wore a blue velvet coat, and under that a tunic suit of ash-blue silk. Around her neck was a spray of green cut-glass vivid as crystallized angelica, and on the middle finger of her left hand a large polished emerald.

Rachaela had put on the olive-green dress Althene had bought her. It was her concession to the evening. She felt vaguely angry, uncomfortable. Why had she come? Perhaps to see the film, or merely to escape the house.

But there was never any escape now, and she had accepted that, surely.

Areas of her emotions had opened out. She seemed to have another sense. This constant awareness of other places, times, feelings… different lives, previous centuries. It was insidious, and pleasing in a bittersweet way. Perhaps it had even been there from the beginning, and her mother had successfully driven it under. When she listened to music, maybe it had come then, in another form.

Althene did not say very much.

She too seemed to be deriving some sensation or thought from the foggy city. Once, she sighed. Her perfume was light yet brunette, cinnamon with something darker.

Her perfection was slightly, as always, intimidating.

/ don't really like her, Rachaela thought. She only fascinates me.

No, she makes me angry.

Althene had said that Rachaela should come with her to see the film. An old film, made in 1916, Griffith's Intolerance.

The restaurant was in a tiny side street with old-fashioned lamps that gave a greenish cat's-eye glow through the fog.

Rachaela noticed that Althene did not pay the driver.

The room was small with high wooden screens. There were only seven tables.

An impeccable, short, swarthy man stepped out and led them to the seventh, behind the highest screen of all.

On the cream tablecloth a single thick white candle burned.

"For you, madame, madame," he said, holding their chairs.

Then he went and a young girl, plump and rosy in a black dress, came and brought them each a glass of palest red wine in long goblets without stems.

Rachaela made no comment. They drank the wine. It was slaty and very soft.

The meal had been ordered, apparently, already. Rachaela was not offered a choice, but she could hardly object, for everything was—naturally—perfection again.