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Chapters (55)
  1. PERFECT CRIME
  2. Dedication
  3. Chapter One
  4. Chapter Two
  5. Chapter Three
  6. Chapter Four
  7. Chapter Five
  8. Chapter Six
  9. Chapter Seven
  10. Chapter Eight
  11. Chapter Nine
  12. Chapter Ten
  13. Chapter Eleven
  14. Chapter Twelve
  15. Chapter Thirteen
  16. Chapter Fourteen
  17. Chapter Fifteen
  18. Chapter Sixteen
  19. Chapter Seventeen
  20. Chapter Eighteen
  21. Chapter Nineteen
  22. Chapter Twenty
  23. Chapter Twenty-One
  24. Chapter Twenty-Two
  25. Chapter Twenty-Three
  26. Chapter Twenty-Four
  27. Chapter Twenty-Five
  28. Chapter Twenty-Six
  29. Chapter Twenty-Seven
  30. Chapter Twenty-Eight
  31. Chapter Twenty-Nine
  32. Chapter Thirty
  33. Chapter Thirty-One
  34. Chapter Thirty-Two
  35. Chapter Thirty-Three
  36. Chapter Thirty-Four
  37. Chapter Thirty-Five
  38. Chapter Thirty-Six
  39. Chapter Thirty-Seven
  40. Chapter Thirty-Eight
  41. Chapter Thirty-Nine
  42. Chapter Forty
  43. Chapter Forty-One
  44. Chapter Forty-Two
  45. Chapter Forty-Three
  46. Acknowledgments
  47. Can’t get enough of the Perfect series?
  48. Chapter 1
  49. Loved Perfect Silence? Then why not get back to where it all started with book one of the D.I. Callanach series?
  50. Welcome to Edinburgh.Murder capital of Europe.
  51. The worst dangers are the ones we can’t see …
  52. When silence falls, who will hear their cries?
  53. About the Author
  54. By the same author:
  55. About the Publisher

Ava knocked on the door. No answer. She knocked harder then gave his mobile a call. When that, too, received no response, she tried his landline. That was engaged, which was strange in the small hours, given that she couldn’t hear his voice inside. It was possible that someone from MIT was calling to update him, but then surely he’d have come to the door. She hadn’t wanted to use her key on his flat door. It was one thing letting herself into the stairwell to the apartments, but going further was an invasion of his privacy. More than that, it assumed a connection between the two of them that was no longer active, if indeed it had even been real.

She caught movement from behind the door’s eyehole. No more than the briefest darkening of the dim light beyond, a flicker, but the flat was definitely occupied.

‘Luc,’ she called quietly. ‘It’s me. I should have come before now, I realise that, but something’s happened. Please, open the door.’

Waiting proved futile. Her watch showed she’d already wasted half the time she’d allocated. In five minutes, another police car would arrive to get her to the station. Perhaps Callanach was being stubborn, only that wasn’t like him. What concerned her more was the prospect that his current suspensions – in all but name – had sent him into the same spiral of depression that had disabled him so badly at the end of his time at Interpol. If that were the case, there was only one thing to do.

‘I’m coming in,’ she said as she slipped her key into the lock and walked into the dark living room, clicking the door shut behind her.

There was a light on in the bedroom.

‘Luc,’ she called. ‘It’s just me. I apologise for letting myself in, but it’s important. I hope you don’t …’

Callanach was on the bed, bare-chested but wearing jeans, sitting with his legs stretched out but his arms folded. Perched on the window seat, one hand wrapped around something Ava couldn’t quite see, was Astrid Borde.

‘Hello,’ Astrid said brightly. ‘Luc was hoping you’d just go away, but I’m glad you’ve come in. Things were getting rather dull. You don’t seem surprised to see me here.’

‘I’m not,’ Ava smiled. ‘You appeared in some footage I was watching earlier today. You have quite an unmistakeable figure.’

‘And you have a key to Luc’s flat. Why is that?’

She addressed the question to Callanach, who simply shrugged.

‘What, no attempt at excuses? No elaborate tales of working late together? Luc, are you not going to defend DCI Turner’s honour?’

‘DCI Turner can defend herself,’ Callanach said. ‘She has a key because we’re friends. If you’re looking for anything more than that, I’m going to have to leave it to your imagination.’