Back Perfect Crime
Chapters (55)
  1. PERFECT CRIME
  2. Dedication
  3. Chapter One
  4. Chapter Two
  5. Chapter Three
  6. Chapter Four
  7. Chapter Five
  8. Chapter Six
  9. Chapter Seven
  10. Chapter Eight
  11. Chapter Nine
  12. Chapter Ten
  13. Chapter Eleven
  14. Chapter Twelve
  15. Chapter Thirteen
  16. Chapter Fourteen
  17. Chapter Fifteen
  18. Chapter Sixteen
  19. Chapter Seventeen
  20. Chapter Eighteen
  21. Chapter Nineteen
  22. Chapter Twenty
  23. Chapter Twenty-One
  24. Chapter Twenty-Two
  25. Chapter Twenty-Three
  26. Chapter Twenty-Four
  27. Chapter Twenty-Five
  28. Chapter Twenty-Six
  29. Chapter Twenty-Seven
  30. Chapter Twenty-Eight
  31. Chapter Twenty-Nine
  32. Chapter Thirty
  33. Chapter Thirty-One
  34. Chapter Thirty-Two
  35. Chapter Thirty-Three
  36. Chapter Thirty-Four
  37. Chapter Thirty-Five
  38. Chapter Thirty-Six
  39. Chapter Thirty-Seven
  40. Chapter Thirty-Eight
  41. Chapter Thirty-Nine
  42. Chapter Forty
  43. Chapter Forty-One
  44. Chapter Forty-Two
  45. Chapter Forty-Three
  46. Acknowledgments
  47. Can’t get enough of the Perfect series?
  48. Chapter 1
  49. Loved Perfect Silence? Then why not get back to where it all started with book one of the D.I. Callanach series?
  50. Welcome to Edinburgh.Murder capital of Europe.
  51. The worst dangers are the ones we can’t see …
  52. When silence falls, who will hear their cries?
  53. About the Author
  54. By the same author:
  55. About the Publisher

‘Psychopaths need constant stimulation. The more disturbed the mind, the less gratification the perpetrator will take from each violent act,’ Ailsa contributed.

‘It’s about more than that, though,’ Ava said. ‘Serial killers refine their technique with each murder. They think up new mechanisms to try out. Most criminally active psychopaths regard the murders they commit as a work in progress. A new victim is a blank canvas. Osaki Shozo was an experiment as much as he was an expression of the murderer’s vision and capabilities. The question is, what exactly is our killer trying to show off about himself?

‘The Fenella Hawksmith scene was emotionally complex. The bindings were not only a practical method of restraint, but they also took away more than the physical ability to fight. It was like an additional punishment, a sign of what was to come. When you render a victim physically helpless, the offender is also expressing their own power.’

‘And the toaster?’ Callanach asked.

‘It’s not about the toaster, it’s about his penis,’ Ava said. ‘He’s been emasculated, reducing the victim to something less than male.’

‘Could it be retributive, maybe following a sexual assault?’ Callanach suggested.

‘Worth considering, although vigilante beatings are usually marked by a high level of out-of-control violence, typically resulting in multiple punches and kicks. There’s one punch to his face but that’s it. Overall, this is very controlled, hands-off violence. It’s structured.’

‘True, but there are cases of women waiting until their partner’s asleep or passed-out drunk before cutting off their penis. This could just be a more imaginative version of that,’ Callanach said.

‘Only the victim died, which negates the point of rendering his penis useless. Women who commit forceful penectomies usually want their victim to be aware of what’s happened to him. The payoff is in the emotional damage suffered, as much as the physical loss. It would have been obvious to whoever did this that the victim was likely to die.’

‘Penectomy?’ Callanach asked.

‘Yes. There’s actually a word for it,’ Ailsa said, shifting position to the victim’s head, peeling the tape off his mouth and sealing it in an evidence bag, then prising open his jaws. A chunk of bloodied meat fell out. ‘New evidence bag for human tissue,’ the pathologist called to a passing tech officer. ‘He bit through his tongue. Not uncommon but it’s cut clean off. The shock must have been sudden and massive. His heart would have stopped immediately.’

‘Which meant the killer chose a method that enabled him or her to enter, do what they wanted and get out fast. Why such a different scenario to Fenella Hawksmith?’ Ava mused.

‘He or she is adaptable. Mrs Hawksmith lived alone. Lock the door, don’t answer, they were never going to be disturbed. Here, there was the possibility that the wife might come home for an unforeseen reason,’ Callanach said.