Back Paris: The Novel
Chapters (34)
  1. Title Page
  2. Dedication
  3. Family Tree
  4. Chapter One
  5. Chapter Two
  6. Chapter Three
  7. Chapter Four
  8. Chapter Five
  9. Chapter Six
  10. Chapter Seven
  11. Chapter Eight
  12. Chapter Nine
  13. Chapter Ten
  14. Chapter Eleven
  15. Chapter Twelve
  16. Chapter Thirteen
  17. Chapter Fourteen
  18. Chapter Fifteen
  19. Chapter Sixteen
  20. Chapter Seventeen
  21. Chapter Eighteen
  22. Chapter nineteen
  23. Chapter Twenty
  24. Chapter Twenty-one
  25. Chapter Twenty-two
  26. Chapter Twenty-three
  27. Chapter Twenty-four
  28. Chapter Twenty-five
  29. Chapter Twenty-six
  30. Epilogue
  31. Acknowledgments
  32. About the Author
  33. Other Books by This Author
  34. Copyright

So as the audience waited for the next tableau, and prepared to strain their ears to try to decipher the announcement—for they all wanted to be pleased—they were a little surprised to see instead the slim young lady walk into the ring, accompanied by some assistants and a table of guns.

Thomas frowned. This surely was an entr’acte, supposed to come later in the show. The first piece of action had at least been exotic. The young lady seemed pleasant enough, but not very exciting. He hoped Édith wasn’t going to be disappointed by the whole thing.

The young performer was looking around at her audience, sensing them. But she remained composed.

From somewhere, a glass ball rose high into the air. Easily, hardly glancing at it, she raised her rifle and shot it so that it burst into a thousand fragments. A cool shot certainly. Another ball, and a second. Two shots, so close together it seemed hardly possible. Both glass balls burst. Very good, it had to be said. She went to the table and picked up another gun. As she did so, three balls went up, in different directions. Three bangs, three hits.

And now it began. Glass balls, clay pigeons, a playing card, a cigar, objects on stands, things tossed in the air, in front of her, behind her, faster and faster, high and low. She was grabbing guns from the table and throwing them down with bewildering speed. Generals boggled, sporting aristocrats leaned forward in their seats, ladies dropped their fans. Annie Oakley did not miss. They had never seen anything like it. The cries of astonishment rose, people were standing in their seats. And when she had exhausted every gun and the haze of smoke was hanging over the center of the arena, and she took her bow, the audience roared, and threw handkerchiefs at her feet.

She ran off gaily, and the audience sank into their seats.

And then she was back again, but riding a horse. Around the arena she rode, and the balls started rising into the air, and she shot them as she went. And then silver French coins went up, sparkling in the sun, and she shot them too. But now the audience was beyond ecstasy. As well they might be. For what they were seeing was close to a miracle, and Annie Oakley was, quite likely, the finest shot the world has ever known.

After that, the audience was won. They cheered the Mexicans, and the buffalo, and the Indian battles and the taming of the West. They might not be sure exactly what it all signified, but they didn’t care.

Buffalo Bill was a big success.

And it was understandable. The Americans might speak abominable French, but weren’t the two countries historic soul mates? France, for whatever reasons, had helped the American colonies break free of England in the American Revolution, which in turn inspired the French to follow with an even greater revolution of their own. And if the French Revolution had been for Liberty, Equality and Fraternity, were these not, in a different manifestation, the watchwords of the American Wild West as well?