Back Paris: The Novel
Chapters (34)
  1. Title Page
  2. Dedication
  3. Family Tree
  4. Chapter One
  5. Chapter Two
  6. Chapter Three
  7. Chapter Four
  8. Chapter Five
  9. Chapter Six
  10. Chapter Seven
  11. Chapter Eight
  12. Chapter Nine
  13. Chapter Ten
  14. Chapter Eleven
  15. Chapter Twelve
  16. Chapter Thirteen
  17. Chapter Fourteen
  18. Chapter Fifteen
  19. Chapter Sixteen
  20. Chapter Seventeen
  21. Chapter Eighteen
  22. Chapter nineteen
  23. Chapter Twenty
  24. Chapter Twenty-one
  25. Chapter Twenty-two
  26. Chapter Twenty-three
  27. Chapter Twenty-four
  28. Chapter Twenty-five
  29. Chapter Twenty-six
  30. Epilogue
  31. Acknowledgments
  32. About the Author
  33. Other Books by This Author
  34. Copyright

“Look at the crowd,” said Thomas. They were early, but already a sea of people was flowing through the entrance. And it wasn’t just any crowd.

The president of France, Monsieur Carnot, and his wife were to be present. Royalty and ambassadors, generals and aristocrats, distinguished visitors from all over the world, including a large party of visiting Americans—the stands were packed. Everyone who was anyone was there. And so was Thomas Gascon.

It amused him that he and Édith were there and that Monsieur Ney and Hortense were not.

And all that packed crowd—except of course the Americans—were united by two things. They were all excited to be there. And they were not quite sure what the show was about.

The opening of the show was clear enough. It was a huge parade around the ring of all the colorful cast. Cowboys and cowgirls with whirling lassoes, magnificent Indians in feathers and warpaint, Mexicans, Canadian trappers—French Canadians, of course—with their huskies, all that was brave and dashing and exotic in the huge, wild North American spaces. The crowd was delighted. Then came a single young lady, Annie Oakley, with her guns. The crowd clapped politely, not knowing much about her. And finally, the hero of the West, the greatest showman of them all, Buffalo Bill himself in his buckskins and big cowboy hat, his hair flowing behind him, entered at a gallop, whirled around the ring and made a magnificent, sweeping salute to the president of France.

The crowd roared. So far so good.

Thomas offered Édith the bag of popcorn he had purchased at the entrance.

“What is it?” she asked uncertainly.

“God knows. It’s American. Try it.”

She did, and made a face. But a few moments later, she dipped her hand in again.

The first reenactment of Wild West history was the attack of the Redskins on the Pioneers. The show’s regular man, to whom God had given a magnificent, carrying voice, declaimed the narrative so all could hear, the trappers formed their wagons into a circle, the Indians whooped—the riding and the action were altogether splendid.

There was only one problem.

“What’s going on? What’s it about?” asked Édith.

“I don’t know,” said Thomas.

Nor, apart from the Americans in the stand, did anyone else. For although the announcer had a mighty voice, and although he’d been practicing his lines in French for weeks, his idea of French pronunciation was even stranger to his audience than the Wild West itself. As the trumpet sounded, and the U.S. Cavalry came riding in to the rescue, the French were not quite certain who the men in uniform were, or why they were there.

As the thrilling scene ended, they waited in silence.

“Is that it?” whispered Édith. “Should we applaud?”

“Let’s wait till someone else does,” said Thomas. Most of the audience was in the same dilemma. Fortunately the Americans started to applaud, and so everyone thankfully followed suit. But it was not the start that Buffalo Bill was used to.