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Back Orwell in Spain
Chapters (82)
  1. Cover
  2. Brand Page
  3. Orwell in Spain
  4. Orwell in Spain
  5. Introduction
  6. Editorial Note
  7. Acknowledgements
  8. Orwell’s Journey to Spain, December 1936
  9. Extract from ‘As I Please’, 42 [The Journey to Spain]
  10. Jennie Lee to Margaret M. Goalby, 23 June 1950: Orwell’s Arrival in Barcelona
  11. Orwell in Spain, December 1936
  12. Eileen Blair to Leonard Moore
  13. ‘British Author with the Militia’
  14. Eileen Blair to her mother
  15. To Eileen Blair
  16. Extract from letter from Eileen Blair to Leonard Moore
  17. Eileen Blair to Dr Laurence (‘Eric’) O’Shaughnessy
  18. Extract from letter to Victor Gollancz
  19. Orwell’s Wound
  20. To Cyril Connolly
  21. Eileen Blair to Dr Laurence (‘Eric’) O’Shaughnessy
  22. Escape from Spain
  23. BARCELONA 13TH JULY, 1937
  24. Charles Doran
  25. Homage to Catalonia
  26. X
  27. ‘Spilling the Spanish Beans’
  28. Eileen Blair to John McNair
  29. George Kopp to Dr Laurence O’Shaughnessy
  30. Translation of letter written in Spanish by George Kopp to Lieutenant-Colonel Burillo,7 Chief of Police, Barcelona
  31. George Kopp to Eileen Blair
  32. Review of The Spanish Cockpit by Franz Borkenau; Volunteer in Spain by John Sommerfield
  33. To Rayner Heppenstall
  34. ‘Eye-Witness in Barcelona’
  35. Abstracts of Reports on the Spanish Civil War in the Daily Worker and News Chronicle, 1936–7
  36. To Amy Charlesworth
  37. To Charles Doran
  38. Unpublished Response to Authors Take Sides on the Spanish War
  39. To Geoffrey Gorer
  40. Review of Red Spanish Notebook by Mary Low and Juan Brea; Heroes of the Alcazar by R. Timmermans; Spanish Circus by Martin Armstrong
  41. To H. N. Brailsford
  42. Review of Storm Over Spain by Mairin Mitchell; Spanish Rehearsal by Arnold Lunn; Catalonia Infelix by E. Allison Peers; Wars of Ideas in Spain by Josée Castillejo; Invertebrate Spain by Josée Ortega y Gasset
  43. H. N. Brailsford to Orwell
  44. To H. N. Brailsford
  45. Review of The Tree of Gernika by G. L. Steer; Spanish Testament by Arthur Koestler
  46. To the Editor, Time and Tide
  47. To Raymond Mortimer
  48. To Stephen Spender
  49. To Geoffrey Gorer
  50. ‘Notes* on the Spanish Militias
  51. To the Editor, The Times Literary Supplement
  52. Sir Richard Rees to Orwell
  53. To the Editor, The Listener
  54. Review of Spain’s Ordeal1 by Robert Sencourt; Franco’s Rule [anonymous]
  55. Review of The Civil War in Spain by Frank Jellinek1
  56. Review of Searchlight on Spain by the Duchess of Atholl1
  57. To the Editor, Manchester Guardian
  58. To Yvonne Davet
  59. To Raymond Postgate
  60. Orwell made two copies of this summary of the article in La Flèche of 14 October 1938, by L.-P. Foucaud.
  61. Review of The Church in Spain, 1737-1937 by E. Allison Peers; Crusade in Spain by Eoin O’Dujfy1
  62. To Frank Jellinek
  63. ‘Release of George Kopp’
  64. ‘Caesarean Section in Spain
  65. To Yvonne Davet
  66. Review of Hotel in Flight by Nancy Johnstone
  67. Review of The Last Days of Madrid by S. Casado, translated by Rupert Croft-Cooke; Behind the Battle by T. C. Worsley
  68. Review of The Spanish Dilemma by E. Allison Peers; A Key to Victory: Spain by Charles Duff
  69. Extract from War-time Diary
  70. Review of The Forge by Arturo Barea,1 translated and with an introduction by Sir Peter Chalmers Mitchell2
  71. Extract from letter to Partisan Review
  72. Extract from BBC Weekly News Review for India, 22 [Comparison with the Spanish Civil War]
  73. ‘Looking Back on the Spanish War’ [1942?]
  74. Proposed BBC Broadcast on the Spanish Civil War
  75. Review of Spain in Eclipse, 1937–1943 by E. Allison Peers; Behind the Spanish Mask by Lawrence Dundas
  76. Extract from ‘As I Please’, 10 [How the lie becomes truth]
  77. ‘The Eight Years of War: Spanish Memories’
  78. Review of An Interlude in Spain by Charles d’Ydewalle, translated by Eric Sutton
  79. Review of The Clash by Arturo Barea1
  80. Orwell’s Pamphlet Collection
  81. A summary of letters from and to David Astor, 4 and 5
  82. Further Reading

Kopp took in the scene at a glance, pushed his way forward and hauled back a red-haired German Shock Trooper who was just drawing the pin out of a bomb with his teeth. He shouted to everyone to stand back from the doorway, and told us in several languages that we had got to avoid bloodshed. Then he stepped out onto the pavement and, in sight of the Assault Guards, ostentatiously took off his pistol and laid it on the ground. Two Spanish militia officers did the same, and the three of them walked slowly up to the doorway where the Assault Guards were huddling. It was a thing I would not have done for twenty pounds. They were walking, unarmed, up to men who were frightened out of their wits and had loaded guns in their hands. An Assault Guard, in shirt-sleeves and livid with fright, came out of the door to parley with Kopp. He kept pointing in an agitated manner at two unexploded bombs that were lying on the pavement. Kopp came back and told us we had better touch the bombs off. Lying there, they were a danger to anyone who passed. A Shock Trooper fired his rifle at one of the bombs and burst it, then fired at the other and missed. I asked him to give me his rifle, knelt down and let fly at the second bomb. I also missed it, I am sorry to say. This was the only shot I fired during the disturbances. The pavement was covered with broken glass from the sign over the Café Moka, and two cars that were parked outside, one of them Kopp’s official car, had been riddled with bullets and their windscreens smashed by bursting bombs.

Kopp took me upstairs again and explained the situation. We had got to defend the POUM buildings if they were attacked, but the POUM leaders had sent instructions that we were to stand on the defensive and not open fire if we could possibly avoid it. Immediately opposite there was a cinematograph, called the Poliorama, with a museum above it, and at the top, high above the general level of the roofs, a small observatory with twin domes. The domes commanded the street, and a few men posted up there with rifles could prevent any attack on the POUM buildings. The caretakers at the cinema were CNT members and would let us come and go. As for the Assault Guards in the Café Moka, there would be no trouble with them; they did not want to fight and would be only too glad to live and let live. Kopp repeated that our orders were not to fire unless we were fired on ourselves or our buildings attacked. I gathered, though he did not say so, that the POUM leaders were furious at being dragged into this affair, but felt that they had got to stand by the CNT.