Chapters (34)
- Front Cover
- Title Page
- Copyright
- Contents
- Introduction to the Novel:Occult Blood
- CHAPTER I
- CHAPTER II
- CHAPTER III
- CHAPTER IV
- CHAPTER V
- CHAPTER VI
- CHAPTER VII
- CHAPTER VIII
- CHAPTER IX
- CHAPTER X
- CHAPTER XI
- CHAPTER XII
- CHAPTER XIII
- CHAPTER XIV
- CHAPTER XV
- CHAPTER XVI
- CHAPTER XVII
- CHAPTER XVIII
- CHAPTER XIX
- CHAPTER XX
- CHAPTER XXI
- CHAPTER XXII
- CHAPTER XXIII
- CHAPTER XXIV
- About the Author
- Suggested Discussion Questionsfor Classroom Use
- Suggested Further Reading of Fiction
- About Series Editors
- Back Cover
26 From a poem titled “The Black Princess” in A Voyage to the Fortunate Isles by Mrs. S.M.B. (Sarah Morgan Bryan) Piatt (1874).
27 From “Song of the Negro Boatman,” part of a greater poem called “At Port Royal” by John Greenleaf Whittier (1863).
CHAPTER XXII
FOR two days Mrs. Livingston brooded in her chamber. Fifty times a day Aubrey asked for her. The maid told him she was ill, but not alarmingly so; no physician was called. She was simply indisposed, could not be seen.
Gazing in Dianthe’s face, the maid whispered, “She sleeps. I will not disturb her.”
Alone, she springs from her couch with all the energy of life and health. She paced the room. For two long hours she never ceased her dreary walk. Memories crowded around her, wreathing themselves in shapes which floated mistily through her brain. Her humble school days at Fisk; her little heart leaping at the well-won prize; the merry play with her joyous mates; in later years, the first triumphant throb when wondering critics praised the melting voice, and world-admiring crowds applauded. And, O, the glorious days of travel in Rome and Florence! the classic scenes of study; intimate companionship with Beethoven, Mozart and Hayden; the floods of inspiration poured in strains of self-made melody upon her soul. Then had followed the reaction, the fall into unscrupulous hands, and the ruin that had come upon her innocent head.
The third day Mrs. Livingston arose, dressed, and declaring herself quite well, went to walk. She returned late in the afternoon, dined with her husband, conversed and even laughed. After dinner they walked a while upon the broad piazzas, beneath the silent stars and gracious moon, inhaling the cold, bracing air. Then Aubrey begged her for a song. Once again she sang “Go down, Moses,” and all the house was hushed to drink in the melody of that exquisite voice.
To mortal eyes, this young pair and their surroundings marked them as darlings of the gods enjoying the world’s heaped-up felicity. Could these same eyes have looked deeper into their hearts, not the loathsome cell of the wretch condemned to death could have shown a sight more hideous. ’Twas late. Pausing at her chamber door, Aubrey raised her hand to his lips with courtly grace, and bade her good-night.
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