Back Of One Blood Save as PDF
Chapters (34)
  1. Front Cover
  2. Title Page
  3. Copyright
  4. Contents
  5. Introduction to the Novel:Occult Blood
  6. CHAPTER I
  7. CHAPTER II
  8. CHAPTER III
  9. CHAPTER IV
  10. CHAPTER V
  11. CHAPTER VI
  12. CHAPTER VII
  13. CHAPTER VIII
  14. CHAPTER IX
  15. CHAPTER X
  16. CHAPTER XI
  17. CHAPTER XII
  18. CHAPTER XIII
  19. CHAPTER XIV
  20. CHAPTER XV
  21. CHAPTER XVI
  22. CHAPTER XVII
  23. CHAPTER XVIII
  24. CHAPTER XIX
  25. CHAPTER XX
  26. CHAPTER XXI
  27. CHAPTER XXII
  28. CHAPTER XXIII
  29. CHAPTER XXIV
  30. About the Author
  31. Suggested Discussion Questionsfor Classroom Use
  32. Suggested Further Reading of Fiction
  33. About Series Editors
  34. Back Cover

Under the spur of the excitement occasioned by the Proclamation of Freedom, and the great need of schools for the blacks, thousands of dollars were contributed at the North, and agents were sent to Great Britain, where generosity towards the Negroes was boundless. Money came from all directions, pouring into the hands of philanthropists, who were anxious to prove that the country was able, not only to free the slave, but to pay the great debt it owed him,—protection as he embraced freedom, and a share in the great Government he had aided to found by sweat and toil and blood. It was soon discovered that the Negro possessed a phenomenal gift of music, and it was determined to utilize this gift in helping to support educational institutions of color in the Southland.

A band of students from Fisk University were touring the country, and those who had been fortunate enough to listen once to their matchless untrained voices singing their heartbreaking minor music with its grand and impossible intervals and sound combinations, were eager to listen again and yet again.

Wealthy and exclusive society women everywhere vied in showering benefits and patronage upon the new prodigies who had suddenly become the pets of the musical world. The Temple was a blaze of light, and crowded from pit to dome. It was the first appearance of the troupe in New England, therefore it was a gala night, and Boston culture was out in force.

The two friends easily found their seats in the first balcony, and from that position idly scanned the vast audience to beguile the tedious waiting. Reuel’s thoughts were disturbed; he read over the program, but it carried no meaning to his pre-occupied mind; he was uneasy; the face he had seen outlined in the twilight haunted him. A great nervous dread of he knew not what possessed him, and he actually suffered as he sat there answering at random the running fire of comments made by Livingston on the audience, and replying none too cordially to the greetings of fellow-students, drawn to the affair, like himself, by curiosity.

“Great crowd for such a night,” observed one. “The weather matches your face, Briggs; why didn’t you leave it outside? Why do you look so down?”

Reuel shrugged his shoulders.

“They say there are some pretty girls in the troupe; one or two as white as we,” continued the speaker unabashed by Reuel’s surliness.

“They range at home from alabaster to ebony,” replied Livingston. “The results of amalgamation are worthy the careful attention of all medical experts.”

“Don’t talk shop, Livingston,” said Briggs peevishly.

“You are really more disagreeable than usual,” replied Livingston, pleasantly. “Do try to be like the other fellows, for once, Reuel.”