Back Now Is Not the Time to Panic
Chapters (29)
  1. Cover
  2. Title Page
  3. Dedication
  4. Mazzy Brower
  5. Part I
  6. One
  7. Two
  8. Three
  9. Four
  10. Five
  11. Six
  12. Seven
  13. Mazzy Brower
  14. Eight
  15. Nine
  16. Ten
  17. Eleven
  18. Mazzy Brower
  19. Twelve
  20. Part II
  21. Thirteen
  22. Fourteen
  23. Fifteen
  24. Sixteen
  25. Seventeen
  26. Acknowledgments
  27. About the Author
  28. Also by Kevin Wilson
  29. About the Publisher

“Frankie?” she asked, but she knew it was me, of course. She’d found me.

“That’s me,” I said. “That is my name, yes.”

“I’m Mazzy,” she said. “Thanks so much for agreeing to meet with me. Do you think I could sit down? Could we talk?”

I wondered what it would feel like to say, “Hmm . . . no,” and then stand up and get in my car and whip it into traffic, nearly causing a massive accident, and then never talk to her.

“Sure,” I said, “I mean, I feel like we’d better talk.”

She slid into the other side of the booth and then stood right back up. “Could I get something to eat? I’m starving.”

“Yeah, sure, that’s fine. I would, well, maybe I’d have picked somewhere else if I knew we were going to eat.”

“This place isn’t good?” she asked.

“No, it’s really good,” I said. “It’s really good . . . in my opinion.”

“Well, if you say it’s good, I’m going to go with that,” she replied, and she stalked off to order. And then I knew I didn’t want to sit there while she ate, staring at her, so I went and ordered ten Krystals, large fries, two Corn Pups, and a large Dr Pepper. It would be good, I thought, to feel slightly sick as everything changed.

While we ate, she explained who she was, which was nice to hear, because for some reason, I had not even looked her up online. Why had I not looked her up online? I think I wanted to keep believing that it wasn’t real, that I would show up and no one would be there to meet me and I could walk right back into my old life.

She was an art critic, and she focused mostly on lesser-known New York artists, mostly painters, mostly women, but she had discovered a painter named Henry Roosevelt Wilson, and was writing a book about him. He was from upstate New York, a place called Keene, and had lived on a farm with his wife, Henrietta Wilson (Henry and Henrietta, holy god), and he’d mostly painted these ghostlike portraits on salvaged doors that he purchased at estate sales. He was a fairly minor painter in his lifetime, though he had been in some group exhibitions in New York and San Francisco. He had also been a pitcher and played Double-A for a farm team of the Milwaukee Brewers before he broke his arm trying to climb into a second-story window after curfew. His mother and father had been murdered in a botched robbery when he was seven, and he had lived in an orphanage until he was fourteen, and it was at the orphanage where he had started painting on doors.