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Contents ( 34)
  1. Note
  2. Table of Contents
  3. I. STORM
  4. II. CONVERSATION
  5. III. JIMBOY’S LETTER
  6. IV. THURSDAY AFTERNOON
  7. V. GUITAR
  8. VI. WORK
  9. VII. WHITE FOLKS
  10. VIII. DANCE
  11. IX. CARNIVAL
  12. X. PUNISHMENT
  13. XI. SCHOOL
  14. XII. HARD WINTER
  15. XIII. CHRISTMAS
  16. XIV. RETURN
  17. XV. ONE BY ONE
  18. XVI. NOTHING BUT LOVE
  19. XVII. BARBER-SHOP
  20. XVIII. CHILDREN’S DAY
  21. XIX. TEN DOLLARS AND COSTS
  22. NEGRESSES ARRESTED
  23. XX. HEY, BOY!
  24. XXI. NOTE TO HARRIETT
  25. XXII. BEYOND THE JORDAN
  26. XXIII. TEMPY’S HOUSE
  27. XXIV. A SHELF OF BOOKS
  28. XXV. POOL HALL
  29. ACTRESS MAKES HIT
  30. XXVI. THE DOORS OF LIFE
  31. XXVII. BEWARE OF WOMEN
  32. XXVIII. CHICAGO
  33. XXIX. ELEVATOR
  34. XXX. PRINCESS OF THE BLUES

She knelt down beside the bed in her night-dress and kept her head bowed for a long time. Before she got up, Sandy had gone to sleep.

II. CONVERSATION

It was broad daylight in the town of Stanton and had been for a long time.

“Get out o’ that bed, boy!” Aunt Hager yelled. “Here’s Buster waitin’ out in de yard to play with you, an’ you still sleepin’!”

“Aw, tell him to cut off his curls,” retorted Sandy, but his grandmother was in no mood for fooling.

“Stop talkin’ ’bout that chile’s haid and put yo’ clothes on. Nine o’clock an’ you ain’t up yet! Shame on you!” She shouted from the kitchen, where Sandy could hear the fire crackling and smell coffee boiling.

He kicked the sheet off with his bare feet and rolled over and over on the soft feather tick. There was plenty of room to roll now, because his mother had long since got up and gone to Mrs. J. J. Rice’s to work.

“Tell Bus I’m coming,” Sandy yelled, jumping into his trousers and running with bare feet towards the door. “Is he got his marbles?”

“Come back here, sir, an’ put them shoes on,” cried Hager, stopping him on his way out. “Yo’ feet’ll get long as yard-sticks and flat as pancakes runnin’ round barefooted all de time. An’ wash yo’ face, sir. Buster ain’t got a thing to do but wait. An’ eat yo’ breakfast.”

The air was warm with sunlight, and hundreds of purple and white morning-glories laughed on the back fence. Earth and sky were fresh and clean after the heavy night-rain, and the young corn-shoots stood straight in the garden, and green pea-vines wound themselves around their crooked sticks. There was the mingled scent of wet soil and golden pollen on the breeze that blew carelessly through the clear air.

Buster sat under the green apple-tree with a pile of black mud from the alley in front of him.

“Hey, Sandy, gonna make marbles and put ’em in the sun to dry,” he said.

“All right,” agreed Sandy, and they began to roll mud balls in the palms of their hands. But instead of putting them in the sun to dry they threw them against the back of the house, where they flattened and stuck beautifully. Then they began to throw them at each other.

Sandy’s playmate was a small ivory-white Negro child with straight golden hair, which his mother made him wear in curls. His eyes were blue and doll-like and he in no way resembled a colored youngster; but he was colored. Sandy himself was the shade of a nicely browned piece of toast, with dark, brown-black eyes and a head of rather kinky, sandy hair that would lie smooth only after a rigorous application of vaseline and water. That was why folks called him Annjee’s sandy-headed child, and then just—Sandy.

“He takes after his father,” Sister Lowry said, “’cept he’s not so light. But he’s gonna be a mighty good-lookin’ boy when he grows up, that’s sho!”