Contents ( 34)
- Note
- Table of Contents
- I. STORM
- II. CONVERSATION
- III. JIMBOY’S LETTER
- IV. THURSDAY AFTERNOON
- V. GUITAR
- VI. WORK
- VII. WHITE FOLKS
- VIII. DANCE
- IX. CARNIVAL
- X. PUNISHMENT
- XI. SCHOOL
- XII. HARD WINTER
- XIII. CHRISTMAS
- XIV. RETURN
- XV. ONE BY ONE
- XVI. NOTHING BUT LOVE
- XVII. BARBER-SHOP
- XVIII. CHILDREN’S DAY
- XIX. TEN DOLLARS AND COSTS
- NEGRESSES ARRESTED
- XX. HEY, BOY!
- XXI. NOTE TO HARRIETT
- XXII. BEYOND THE JORDAN
- XXIII. TEMPY’S HOUSE
- XXIV. A SHELF OF BOOKS
- XXV. POOL HALL
- ACTRESS MAKES HIT
- XXVI. THE DOORS OF LIFE
- XXVII. BEWARE OF WOMEN
- XXVIII. CHICAGO
- XXIX. ELEVATOR
- XXX. PRINCESS OF THE BLUES
They went uptown in the street-cars, Annjee a trifle out of breath from helping with the bags, and both of them perspiring freely from the heat. And they were not very talkative either. A strange and unexpected silence seemed to come between them. Annjee had been away from her son for five growing years and he was no longer her baby boy, small and eager for a kiss. She could see from the little cuts on his face that he had even begun to shave on the chin. And his voice was like a man’s, deep and musical as Jimboy’s, but not so sure of itself.
But Sandy was not thinking of his mother as they rode uptown on the street-car. He was looking out of the windows at the blocks of dirty grey warehouses lining the streets through which they were passing. He hadn’t expected the great city to be monotonous and ugly like this and he was vaguely disappointed. No towers, no dreams come true! Where were the thrilling visions of grandeur he had held? Hidden in the dusty streets? Hidden in the long, hot alleys through which he could see at a distance the tracks of the elevated trains?
“Street-cars are slower, but I ain’t got used to them air lines yet,” said Annjee, searching her mind for something to say. “I always think maybe them elevated cars’ll fall off o’ there sometimes. They go so fast!”
“I believe I’d rather ride on them, though,” said Sandy, as he looked at the monotonous box-like tenements and dismal alleys on the ground level. No trees, no yards, no grass such as he had known at home, and yet, on the other hand, no bigness or beauty about the bleak warehouses and sorry shops that hugged the sidewalk. Soon, however, the street began to take on a racial aspect and to become more darkly alive. Negroes leaned from windows with heads uncombed, or sat fanning in doorways with legs apart, talking in kimonos and lounging in overalls, and more and more they became a part of the passing panorama.
“This is State Street,” said Annjee. “They call it the Black Belt. We have to get off in a minute. You got your suit-case?”
She rang the bell and at Thirty-seventh Street they walked over to Wabash Avenue. The cool shade of the tiny porch that Annjee mounted was more than welcome, and as she took out her key to unlock the front door, Sandy sat on the steps and mopped his forehead with a grimy handkerchief. Inside, there was a dusky gloom in the hallway, that smelled of hair-oil and cabbage steaming.
“Guess Mis’ Harris is in the kitchen,” said Annjee. “Come on—we’ll go upstairs and I’ll show you our room. I guess we can both stay together till we can do better. You’re still little enough to sleep with your mother, ain’t you?”
They went down the completely dark hall on the second floor, and his mother opened a door that led into a rear room with two windows looking out into the alley, giving an extremely near view of the elevated structure on which a downtown train suddenly rushed past with an ear-splitting roar that made the entire house tremble and the window-sashes rattle. There was a wash-stand with a white bowl and pitcher in the room, Annjee’s trunk, a chair, and a brass bed, covered with a fresh spread and starched pillow-covers in honor of Sandy’s arrival.