Contents ( 34)
- Note
- Table of Contents
- I. STORM
- II. CONVERSATION
- III. JIMBOY’S LETTER
- IV. THURSDAY AFTERNOON
- V. GUITAR
- VI. WORK
- VII. WHITE FOLKS
- VIII. DANCE
- IX. CARNIVAL
- X. PUNISHMENT
- XI. SCHOOL
- XII. HARD WINTER
- XIII. CHRISTMAS
- XIV. RETURN
- XV. ONE BY ONE
- XVI. NOTHING BUT LOVE
- XVII. BARBER-SHOP
- XVIII. CHILDREN’S DAY
- XIX. TEN DOLLARS AND COSTS
- NEGRESSES ARRESTED
- XX. HEY, BOY!
- XXI. NOTE TO HARRIETT
- XXII. BEYOND THE JORDAN
- XXIII. TEMPY’S HOUSE
- XXIV. A SHELF OF BOOKS
- XXV. POOL HALL
- ACTRESS MAKES HIT
- XXVI. THE DOORS OF LIFE
- XXVII. BEWARE OF WOMEN
- XXVIII. CHICAGO
- XXIX. ELEVATOR
- XXX. PRINCESS OF THE BLUES
“Hey! You black bastard!” Joe Willis yelled from the hotel entrance, but his voice was blown away in the darkness. As Sandy ran, he felt the snow-flakes falling in his face.
XXI. NOTE TO HARRIETT
Several days later, when Sandy took out of his pocket the piece of paper that his Aunt Harriett had given him that day in front of the hotel, he noticed that the address written on it was somewhere in the Bottoms. He felt vaguely worried, so he did not show it to his grandmother, because he had often heard her say that the Bottoms was a bad place. And when he was working at the barber-shop, he had heard the men talking about what went on there—and in a sense he knew what they meant.
It was a gay place—people did what they wanted to, or what they had to do, and didn’t care—for in the Bottoms folks ceased to struggle against the boundaries between good and bad, or white and black, and surrendered amiably to immorality. Beyond Pearl Street, across the tracks, people of all colors came together for the sake of joy, the curtains being drawn only between themselves and the opposite side of the railroad, where the churches were and the big white Y.M.C.A.
At night in the Bottoms victrolas moaned and banjos cried ecstatically in the darkness. Summer evenings little yellow and brown and black girls in pink or blue bungalow aprons laughed invitingly in doorways, and dice rattled with the staccato gaiety of jazz music on long tables in rear rooms. Pimps played pool; bootleggers lounged in big red cars; children ran in the streets until midnight, with no voice of parental authority forcing them to an early sleep; young blacks fought like cocks and enjoyed it; white boys walked through the streets winking at colored girls; men came in autos; old women ate pigs’ feet and watermelon and drank beer; whisky flowed; gin was like water; soft indolent laughter didn’t care about anything; and deep nigger-throated voices that had long ago stopped rebelling against the ways of this world rose in song.
To those who lived on the other side of the railroad and never realized the utter stupidity of the word “sin,” the Bottoms was vile and wicked. But to the girls who lived there, and the boys who pimped and fought and sold licker there, “sin” was a silly word that did not enter their heads. They had never looked at life through the spectacles of the Sunday-School. The glasses good people wore wouldn’t have fitted their eyes, for they hung no curtain of words between themselves and reality. To them, things were—what they were.
“Ma bed is hard, but I’m layin’ in it jest de same!”
sang the raucous-throated blues-singer in her song;
“Hey! . . . Hey! Who wants to lay with me?”
It was to one of these streets in the Bottoms that Sandy came breathlessly one bright morning with a note in his hand. He knocked at the door of a big grey house.