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Chapters (85)
  1. Cover Page
  2. Northwood
  3. Title Page
  4. Copyright
  5. Dedication
  6. THE WORLD
  7. THE HIEROPHANT
  8. KINDLING
  9. ORBIT
  10. THE DANCE HALL
  11. ASCALON
  12. FIRST
  13. AMATEUR
  14. ADONIS
  15. ELEGY
  16. INTAGLIO
  17. LABYRINTH
  18. MOTHER
  19. NIGHT SONG
  20. DAPHNE
  21. CELL
  22. SHOPPING LIST
  23. FREEDOM
  24. HOOD
  25. THE FOOL
  26. PATH
  27. EMPRESS
  28. PERSPECTIVE
  29. SMALL TOWN
  30. THE WOODCUTTER
  31. ENEMY
  32. PLAGUE
  33. FEAST
  34. HEDERA
  35. BREAK
  36. GROVE
  37. CUPID
  38. NARCISSUS
  39. LINEAGE
  40. TEMPERANCE
  41. PRIESTESS
  42. TECHNICAL TERM FOR HEARTBREAK
  43. THE HERMIT
  44. TICK
  45. ONCE
  46. DEUS EX MACHINA
  47. THE CUT
  48. SICK
  49. INCANT
  50. PLAINS
  51. REUNION
  52. AS TOLD BY ORPHEUS
  53. THE MAGICIAN
  54. THE VALLEY
  55. ECHO
  56. IN MY DREAM YOU CALLED ME ON A PHONE MADE OF LEAVES AND I ANSWERED
  57. NUDE
  58. EXHIBITION
  59. DOUBLE
  60. THE VIRGIN
  61. LONG DISTANCE
  62. QUEEN OF SWORDS
  63. THE HANGED MAN
  64. LINE
  65. ENEMY II
  66. ACCOUNTING
  67. CONSTELLATION
  68. THE FAVORITE
  69. EMPRESS II
  70. TRIPTYCH
  71. CRONE
  72. DAPHNE II
  73. THE COLLECTOR
  74. GIRL IN BLUE
  75. RENAISSANCE
  76. RUINS
  77. HARUSPEX
  78. CROWN
  79. PORTRAIT OF THE LOVER
  80. ALWAYS MY LYRES WILL HAVE YOU
  81. THE LOVERS
  82. HOSPICE
  83. WEEDS
  84. THE TOWER
  85. About the Author

I put up the ink.

I please

myself. The way his thigh

puddles on the seat,

a marble boat

on its sea

of crepe. To draw

is to drown.

He drools. Dearest,

I whisper,

It’s time.

EMPRESS II

EMPRESS II

I rolled in the leaves spread my knees over a stone felt its

cold kiss through my jeans. Mouth open in the undergrowth,

beetle busy over my lip. I put my arms around the porch

post and kissed it, solemn, risking the frozen splinter, isn’t

this what love is? Straddling the rotting trunk how grateful

I was to be made exactly thus. To cut my thigh on the branch.

To rub my cunt against the moss.

What was taken from you, I want to know. Or did you not

have what I had, so could not lose what I lost.

TRIPTYCH

TRIPTYCH

It’s one of those afternoons, private lessons, this time a

boy who is completely beautiful, his back a Bacon-esque

slab bent over the table, young and dark, and I’m sorting

through his pens when the mail comes, a letter, from you,

an excuse to slice your way into my head again, in case I’d

forgotten, the way you give your t’s sharp tails, I can only

read every other word, and you don’t sign your name, and I

hear the boy’s voice, a question—

—and I look at his easel and he says, I don’t know what to do

here, touching some obscure moment in his drawing, I can’t

even see what he means, and I stare with the letter pressed

against my hip, making a sound like I’m thinking, about his

problem, as if it matters, and at some point I feel his eyes

down my shirt, I haven’t worn a bra, and I keep looking at

the paper. I’m older now, you write to me sometimes, you

don’t call. I hand him an eraser without looking to see what

he thinks of my breasts, and he scrubs away the thing he

doesn’t like, he makes new marks—

—while I sit by the window and cross my legs and refold

the letter and take up a pen and stake out in savage lines

the shape of this stupid talented boy, I don’t care, I could sit

on his cock, I don’t care, and I draw that, too, the crudest

fucking, the nib groaning against the page and he is looking

at me and I meet his eyes with so much fury he has to look

away and I close the book and toss it on a table and cap the

pen and then I just don’t feel anything about any of it and he

finishes his drawing and I tell him to be more assertive and

then he gives me money and he leaves and I have to laugh